Eye On Horror
Eye On Horror
Street Trashin' with Ryan Kruger
This week, the boys are joined by Ryan Kruger (creator of Fried Barry) to discuss his new film Street Trash! We go over balancing the 80's punk neon goop aesthetics of the original while delivering a fresh take, what the clean up is like with such a bloody, goopy film, and of course what it is like working with his muse Gary Green.
But first, the boys get into some pretty horny films reviewing Babygirl, Queer, Girls Gone Wild: The Untold Story, and Nosferatu. On a less horny note, they also review Wicked Part One, The Platform 2, Death Becomes Her: The Musical, Nightbitch, and The People's Joker.
Street Trash is available on VOD digital platforms, melting away on Screambox December 27, and home video from Vinegar Syndrome in January!
Movies mentioned on the show:
https://letterboxd.com/correianbbq/list/eye-on-horror-podcast-sn-7-ep-19/
Follow us on the socials: @EyeOnHorror or check out https://linktr.ee/EyeOnHorror
Get more horror movie news at: https://ihorror.com
Welcome to Eye On Horror, the official podcast of ihorror.com this is episode 138 otherwise known as season seven, Episode 19. I am your host, James Jay Edwards, and with me, as always, is your other host, Jacob Davison, how you doing? Jacob,
Jacob Davidson:doing well. And reporting from Connecticut, visiting family.
James Jay Edwards:Have you been to Gloucester?
Jacob Davidson:Look for I did my usual tour. I went to Gloucester to see my dad and the sea monster, and then went up to Connecticut to see the other, other side of my family, and went to the archive and got a hall that I'll be talking about. I
James Jay Edwards:was gonna say, I sure we're gonna hear about the pilgrimage to the archive. Oh yeah. Also with us, as always, is your other other host. Jon Correia, how you doing? Correia,
Jonathan Correia:doing great. Did my caffeine slash Metamucil mix, So I'm ready to go this morning.
James Jay Edwards:I have been knee deep in awards, screeners and screenings. But I, I just have to talk about which we teased last episode I saw Nosferatu.
Jacob Davidson:Oh boy, and you hated it, right?
James Jay Edwards:No, this is, this is a beautiful movie. This is, I mean it Robert Eggers is a, is about as pure of an auteur as you're gonna find today. You know, you know, between like The VVitch and The Lighthouse, and The Northman, and this is just more of that. It's like there's just so much detail put into this movie. And it's the story of Nosferatu. So, you know, you know, it's the Dracula story. There are a few little creative changes, you know, that he did with it, but it sticks pretty close to the story. But just just the detail put like, every frame of every shot of this movie is just so beautiful. It's, you know, it's just such a well made movie. Oh yeah, it's so great in your boy Skarsgard is, he's a pretty, pretty ferocious or lock you know, he's, he's making a name for himself. William Defoe is, he's like a clown. He's like the the Van Helsing type character. He's like the the vampire expert. And he's just chewing every stick of scenery around. And it's just, you know, everyone else is being real serious. And then there's, I think he's kind of become Robert Eggers not muse, but he's his go to when he needs that kind of a character, you know, like that. The why just spill your beans kind of go. And I it's pretty he's, he's a he plays a very pivotal role in it, because if you're familiar with Nosferatu, you know that the real hero is the wife and Willem Dafoe character, kind of, he kind of enables her to do her thing by distracting everyone else, but it's it, oh Nosferatu is beautiful. It's going to end up on, I wouldn't be surprised if it's on all three of our top 10s. It's, I'm pretty sure it's going to be on mine, you know, because we're getting so close to the end. But right?
Jacob Davidson:And let me just ask one thing on a scale of one to 10. How horny was it?
James Jay Edwards:I maybe, maybe a six. It's not super horny.
Jacob Davidson:That's what I heard. It's,
James Jay Edwards:you know, it's, I mean, obviously it's, it's a Dracula story. So it's kind of, you know, but honestly, orlock is not that sexy. So it, you know, it's, it's more like a the draw of the vampire kind of a thing, because he does beckon to the the the Harker character, which is, his name is, is Thomas. He's not Jonathan Harker, but he his wife, which is Lily Rose Depp. She is, you know, she does have this draw to orlock, but orlock is not he has this bushy mustache, which, I mean, if you've read Dracula, it is, it is part of the character. He in the book, he has a mustache, but it is, uh, yeah. I mean, I didn't really find it that horny myself. But if we want to talk horny, a couple of other movies that I saw for awards that neither of them are really horror, so we don't want to spend too much time. But A24 has a pair of movies coming out that if you want horny, you'll get horny. Um, one of them is. Queer, which is the William S Burroughs adaptation that stars Daniel Craig, and he's, he's queer, and he becomes fixated on this younger man, and that it's pretty graphic with, you know what? It nice when it when it was just a love story, I was kind of into it, but then it goes into this Apocalypse Now Chapter A little later, that kind of lost me. But I don't know, people can draw their own conclusions. But yeah, that one is pretty horny. And then last night, I saw Babygirl with Nicole Kidman.
Jacob Davidson:Oh, that
Jonathan Correia:one looks so horny that is very,
James Jay Edwards:very horny. I mean, both of them are very horny, but it just depends on what makes you horny. If you like your guy on guy do Queer, if you like your you know, Guy on girl do Babygirl.
Jonathan Correia:And if you like both good it's a great double feature. There you get
James Jay Edwards:it kind of that's what I said to the rep. They always ask us for reactions when we leave. That's why I said to the rep, because they these screenings were on consecutive days, you know? And I told the rep, I'm like, Well, dude, between between Queer and Babygirl. A24 has given us some content this season.
Jonathan Correia:Well, it's just funny, because the trailers for Queer aren't explicit, but the ones for Babygirl are just like, they basically show everything up to it, it's, it's, it's for Babygirl. It's basically like, you're gonna see Nicole mid Nicole Kidman fuck. And it's like, oh, Merry Christmas. Okay, yeah.
James Jay Edwards:I mean it's, the thing, is you, I mean, you do, you do see Nicole Kidman fuck, but, but there's other stuff that, you know, because the whole thing is, she, you know, and I don't want to get too into, I mean, although it is, it's, it is adjacent, because it is kind of a, it becomes kind of a stalker thriller, not quite Fatal Attraction level, but it is that. But she winds up she's, um, she's actually married Antonio Banderas in the movie, which is weird, because you're like, What woman would cheat on Antonio Banderas? But, um, but she ends up having an affair with her intern at work, and, you know, he does things to her that Antonio Banderas character doesn't, or can't, or, you know, whatever. So you do get it's a whole lot of domination and submission kind of stuff too. So, yeah, you get to it's definitely, you know, a friend of mine joked that Nicole Kidman doesn't do roles now, unless they allow her to be naked in it. You know,
Jonathan Correia:I'm just excited for whatever wig she's wearing, because Nicole Kidman has been having the most amazing wigs the last couple decades. It's great. Don't think it's I
James Jay Edwards:don't think it's a wig because she spends most of the movie with her hair tied up in like, like a bun, because she's like, a business woman. She's like, the CEO of this AI robotics company. So yeah, I don't think it's a wig. But anyway,
Jonathan Correia:boo, AI robotics.
James Jay Edwards:No. Ai robotics are not as bad as AI content creation, but anyway, we're opening up a can that we don't want to open. Sounds like
Jonathan Correia:someone who's secretly a robot would say, What?
James Jay Edwards:What? What? What, what, what, what
Jonathan Correia:we caught him.
James Jay Edwards:So, what, what do you guys been seeing lately?
Jonathan Correia:Well, did you guys see Wicked yet?
James Jay Edwards:Yeah, yes,
Jacob Davidson:on Saturday with the family.
James Jay Edwards:Oh my gosh. It's not super
Jonathan Correia:horror, but so it's not
James Jay Edwards:super good either. Oh,
Ryan Kruger:I mean, I,
James Jay Edwards:you know, everybody is loving it. And then I, and granted, I watched it on a screening link on my TV, so I didn't get the theatrical experience. But one thing that you need to know that we do need to spoil, and this is in the first, like, 10 minutes. It's a part one. Yeah, it's three hours and for, uh, two hours and 40 minutes, and it's part one. So you have a little bit of that Dune, you know, shock at the opening credit. But for me, it was, it's just kind of all set up. And no, I mean it, I guess it kind of resolves itself in the end. But my biggest problem with it, first of all, the good Ariana Grande is great in it. She's really good. The Bad, what did they do to the music? Because the music in Wicked is actually really good. The songs are really good, but in this movie, they make it sound like the way they produce the music. It sounds like it's all the same song, that they're just singing different words over and I'm like, What did you do to the production of this music? You know you anyway. No, it was frustrating for me, because everybody's loving it. So I went into it with kind of high hopes, but then, as I'm watching it, I was, I was like, and then the last 30 minutes I had so much trouble getting through. I'm like, okay, come on, you've gone this far. We're gonna finish it. Oh, anyway, what do you think Correia?
Jonathan Correia:I mean, I enjoyed it. I definitely, uh. Within, like, the first I was very confused in the very beginning, because I was like, Wait, isn't this a prequel? Wait, weren't they friends? Wait, whose perspective are we having? But I think that was just me. I also was like, really weirded out at the talking bear. And I was like, There's talking animals in this. And it wasn't until later, I was like, Oh, wait, cowardly lion and the chicken in Return to Oz. I basically, I very quickly was like, I don't know as much about the world of Oz as I thought I did, so I'm
James Jay Edwards:gonna name my next band, Dulce there. Yeah. But
Jonathan Correia:I actually enjoyed it. I didn't know the musical outside of snippets of songs, so I had a lot of fun with it. I loved Ariana Grande was tapping into like her Chanel character in Scream Queens and just being like the real jerk, Cynthia was freaking amazing. That would the most, the two most, or the three most frustrating things about the movie was a the color. I wish they had gone for more vibrant, Technicolor look with it. I understand they were trying to go for realism, but it's fucking Oz so like, Go bright man, go bright as hell with the colors that being said, the color of alfalfa, alpha by There we go. The Green for her makeup, I thought was great, which was also led to my frustration when she first shows up to the school and everyone's like, Oh my gosh, she's hideous. I was like, What are you talking about? She's fucking gorgeous. Yeah,
James Jay Edwards:like, and I Yeah, they were trying to make a point. Yeah, they were trying to, like, give it some commentary, but you're right. I was like, you know, no, hideous. She looks great. Yeah. I even
Jonathan Correia:asked the people I went with, I'm like, is it just because I'm a Trekkie and grew up with, like, Orions and stuff like that, like, or was she just, like, fucking gorgeous? And they were like, no, no, she was hot. I was like, okay, because that whole scene, I was like, Dude, shut up. She's great, that. And also the made up words, I that that was so frustrated horror, but it is. It's like, I that every time someone did that, I was just, it just filled me with rage. I don't know why, but it was, again, it's part of the thing. I really, really liked the cameo from the original. I know I like channels and stuff.
James Jay Edwards:Yeah, they Adina Menzel and Kristin Chenoweth are in it, and,
Jonathan Correia:oh, and it's not just a quick little cameo, either. It's great.
James Jay Edwards:I don't know if we're supposed to spoil that or not, but the movies been out for for a week or so, so I guess we can. Yeah,
Jacob Davidson:although it's funny, because while I haven't seen the movie yet, I did actually see the original production of wicked like 20 years ago, when I was in high school with Adina Menzel and Kristin Chenoweth another thing I did, like the original stage production on Broadway. So I was interested in checking out the adaptation, because I mostly heard good things, and it's got, like, a ridiculously high score on Letterboxd. Yeah,
James Jay Edwards:it's, it's Act One, just so you know,
Jonathan Correia:oh yeah.
James Jay Edwards:I don't know if you knew that going in, but it's, yeah,
Jacob Davidson:I do wicked part one and basic, I guess it's kind of the theater thing, where it's part one, then we have a considerably long intermission, and then part two comes out, yep, a
Jonathan Correia:year long intermission. But yeah, if they did weren't making a part two, it would just be, how did the Wicked Witch of the East get her broomstick. Yeah, but it's real good. But I just want to take it back to to hornieness real quick. Have you guys seen it? Just dropped the other day on
Peacock, The Girls Gone Wild:The Untold Story.
James Jay Edwards:No, is this a drama or a documentary?
Jonathan Correia:So it's a, it's a three part documentary. And it's, it's, you know, it's about the guy who started Girls Gone Wild, the company. It's rise and fall and all that. And it's, it's got a lot of similarities to Quiet on set, in that it's these reporters, and they talk about their reporting a lot, but it's done so much better. Like Quiet on set came off very exploitive of like the subjects and the people. And this one, it's it's just mainly they really do give like the women the chance to speak and really talk about, like what happened and how it happened and all these things. And it's insane, dude, because basically the guy who founded Girls Gone Wild is on the lamb in Mexico. He He fled the country years ago, and he doesn't really do interviews, but five or so years ago, he did an interview with this woman for Buzzfeed. I think it was. And so she went down there and she had a nine hour interview where she recorded audio, but no video for it, and that was the backbone of the Docu series, and her article that she wrote, which they do address in the later one, because she wrote the article and he emailed the the company just absolutely being like, she's. Liar. She's a C word, blah, blah, blah, all the stuff. That was a hit piece. And it's like, this dude cannot, you know, put himself in that position. But it's, it's so insane, just like seeing also
James Jay Edwards:she had nine hours of audio. So how could he deny what she said? Oh, unless she really did hit him in the in the piece? No,
Jonathan Correia:it's, it's, you listen to the audio, this guy contradicts the fact and has his and spins his own narrative like he even says multiple times that he was the victim in all these cases. He outright lies. It's, it's insane. I'm very interested in like this retrospective look back on the early 2000s and especially on the treatment of women in media. And it's, it's a really good piece with it. It's very harrowing what he got away with for so long. Because you got to remember, they Girls Gone Wild featured a lot of stuff involving underage women, and they got away with it,
Jacob Davidson:yeah. Plus, a lot of it was basically revenge porn.
Jonathan Correia:Revenge porn. These women were very highly intoxicated, like, it's, it's a very, it's, it's a, it's a hard watch, but it's, it's really good. I highly recommend it, especially since, like, we all know those commercials from that time, if you'd ever been up past like, 8pm on Comedy Central. We all know the infomercials with the fucking tin drums, and it's, it's so crazy to see, like, what the full thing is. And then also they, they do point out, like, oh, and these celebrities were connected with him and stuff. And there's a few names where you're like, that name's been popping up in the news a lot lately. So yeah, they The Untold Story. Girls gone wild. Yeah, it's, it's, it's on peacock and, yeah, it's a, it's a good one.
James Jay Edwards:Have you guys seen it's on Netflix, The Platform 2. No, not yet.
Jacob Davidson:I love the first one. First one, yeah, no, the
James Jay Edwards:first one was good. The second one, not so much. It is. It's a little more. It's like they're trying. The people in the prison are trying to form, like a society that takes care of each other. But there's like, rules and punishments and stuff, and, yeah, it's, it's not nearly as good as the first. It doesn't have as much to say. But there's like, you know, there's punishments for like, they they try and, you know, ration the food as it gets down. And if you take too much, the people on the floor above you will take care of you, meaning they're going to ride the platform down and kick your ass. And there's, you know, there are punishments like, you know, everything from, you know, cutting off your arm to killing you if you do certain things. But it's, yeah, it's not a it's kind of a mess. But, I mean, you guys can judge for yourself, but it's because the first one was really good, and this one, this one was a little disappointing. But yeah, I
Jacob Davidson:mean, I didn't think, I didn't really think it even needed a sequel. No,
James Jay Edwards:I don't think it did either, but lo and behold, there it is
Jacob Davidson:on my end, back on theater with wicked I, while visiting family in Connecticut, I went to New York to see the musical adaptation. Death Becomes Her. Death Becomes Her: The Musical and we're all Death Becomes Her fans. Here, right?
Jonathan Correia:Are we all Death Becomes Her fans here, Jacob, are you kidding me? Of course, it's one of the greatest movies ever.
Jacob Davidson:I need to emphasize for the listeners at home. Oh, okay,
Jonathan Correia:thank you. I was like, I was like, Don't you try to, try to
James Jay Edwards:that wasn't a question. I'm
Jacob Davidson:not, I'm not questioning you. Saying you gotta, you gotta emphasize it for people listening right now.
James Jay Edwards:It was a statement, not a question. Yeah, I
Jonathan Correia:have a I have a framed Death Becomes Her poster in my bedroom.
Jacob Davidson:Nice. But anyway, yeah, no, like, I'd only just heard about it a couple weeks ago, because they were in pre shows, and the reviews had actually been very positive, so I decided to give it a go, and it was really good, like, it was really funny, and they managed to make it even more campy, gay and hornier than the original. In some ways,
Jonathan Correia:that's an accomplishment, yeah? Like,
Jacob Davidson:there's, like, you gotta listen to the soundtrack, because there are some really good and funny songs in there. Like, they kind of changed Madeline Ashton's background a little bit in that she's a gay, well, a gay icon on Broadway, kind of like Liza Minnelli, and she has a song called I do it for the gays, which is spelled G, A, V, E, but does a lot of double on Tundra.
Jonathan Correia:Oh, man, I need to listen to the soundtrack right now.
Jacob Davidson:Oh no, it's really good.
Jonathan Correia:Are we done?
James Jay Edwards:We're getting, we're getting pretty horny with this episode. And I haven't even talked about, I finally saw Anora and Challengers,
Jacob Davidson:yeah. But it also just, I also just want to add that it had a really good. Cast with let's see Megan Hilty as Matt Ashton, Christopher sever as earnest, Jennifer simmer as Helen sharp. And this was really good. They had Michelle Williams as Viola Van Horn, which is basically kind of a reformatted, or kind of a changed version of least whistle von rumen, like, they kind of changed character a bit, but it's basically, it basically follows the same beats, but they do some fun stuff and kind of making it stand on its own.
Jonathan Correia:That's awesome. She's a great singer.
Jacob Davidson:Oh yeah, no, she had some great numbers too, but yeah, no, the it was a lot of fun. And they also do some fun tricks and pulling off a lot of the practical, you know, a lot of the violence, like the shovel fight and Madeline falling down the stairs and Helen getting shot in the chest. So I'm always a fan of theatrical productions that do a lot of practical effects Gore.
Jonathan Correia:It's a great year to be a death becomes her fan, because there's the musical, there's the recent 4k release, which is gorgeous, and and then there's the Sabrina carpenter music video, uh, where it's her and Jenna Ortega are doing their own version of Death Becomes Her and just being, like, Absolutely, like, brutal with each other, wearing awesome outfits and, like, doing a lot of homages to that movie. So yeah, great year to be Death Becomes Her fan. I
James Jay Edwards:saw a couple movies that are gonna make my for awards consideration, that are gonna make my weirdest movies of the year list. One of them is Nightbitch, which,
Jacob Davidson:oh yeah,
James Jay Edwards:Nightbitch, despite its name is not really a horror movie, although there is, I don't want to spoil anything, but there's a little bit of Werewolf action in it, but it is. It's Amy Adams as basically this mother who is just kind of over it. Do you guys remember that movie from a few years ago Tully with Charlize Theron?
Jacob Davidson:Right? Yeah, yes.
James Jay Edwards:It's a little like that in in the mood about how, you know, this mother is just, you know, with her husband, who's, you know, although the husband in this is a lot more likable than the one in Tully. But anyway, it it goes places, and it gets a little weird. And the other one, which I don't know if you guys have seen The People's Joker. Oh, I've seen the People's Joker. Have you
Jonathan Correia:seen it? Oh, my gosh, wanting to it
James Jay Edwards:is it? Is really it's interesting. And what makes it weird? And I say it's gonna make my weirdest movies the year, where it's basically Vera Drew's, she, she's somehow makes her coming out as trans story into a Gotham City villain and hero story. But it's weird because it's, it's it's really honest about her, about her feelings and her journey to coming out. And that's not the weird part. The weird part is, it is this mixture of live action, stop motion, traditional animation, puppetry. It is just this multimedia extravaganza. And pretty much any Batman character you can think of is in this movie, they, you know, in somewhere, and they have this whole, I don't know when you saw it, but I know that they got into some legal trouble. DC basically tried to shut this movie down. And there's a whole legal thing at the beginning, citing the the Fair Use Act of 1975 or something, basically saying, you know, this is a parody, and we're legally able to use these likenesses and characters for, you know, in the context of this movie. So they're able to use, you know, like the Riddler and the Joker and Batman and the cat woman and Bane and basically the whole Batman universe is in there somewhere. But it is a it's a trip.
Jacob Davidson:Yeah, I saw it a few months ago, I think over the summer, and I thought, I thought it was very funny. And also it had a great kind of anti corporatist message and kind of, and also, I feel like it was a satire about the state of comedy, because, like, Lorne Michaels is a character in it, and they dunk on him constantly. Well,
James Jay Edwards:they Yeah, Vera Drew's character, which I'm, I just saw it last night, and I'm, I it eventually it becomes Joker the harlequin. And is, is what they change their name to. And, um, the penguin they open a comedy club is basically the crux of it. And the he's, it is really hysterical. It is. Vera Drew has a real sense of humor about everything that she's gone through. And the line that totally got me is when she's first debuting her Joker, the harlequin character, she stands up and says, Hi, I'm Joker the Harley Quinn. My pronouns are he and Ha, yeah. It cracked me up.
Jacob Davidson:And let's see, on my end, you know, I'm in Connecticut again, so of course, I did my with my usual pilgrimage to Vinegar Syndromes archive in Bridgeport, and they were doing a Black Friday sale. So I got to get some cool swag while I was there, mostly vinyl, they they had a very good selection this time. Like, let's see, I got the soundtrack to Rollercoaster, 1941 Hell, yeah, yeah, no. I mean, like 1990 41 I feel like is underrated, and especially like that overly patriotic score by by John Williams. And on the horror side of things, I got, let's see Necropolis, a Troma soundtrack compilation, which has stuff from, like a lot of their lesser known, or, you know, kind of partner label releases, you know, like Blood Hook, Nightmare Weekend, even Nightbeast with music by JJ Abrams. And I also got the Warlock sound track with music by Jerry Goldsmith, which, you know, I re watched it, you know, after Julian Sands, sadly passed away a little bit ago. And it's an incredible score. So I'm glad I was able to pick that up. And terms of movies, I got this cool double feature set from film masters with like a speaking of Nosferatu a double Klaus Kinski feature with The Creature with the Blue Hand and Web of the Spider, both Euro horror movies that Kinsky did in the latter, he plays Edgar, Allan Poe, oh, and also, I picked up some VHS. I got Moon trap with, damn it, Bruce Campbell, yeah, with Bruce Campbell and Jonathan who played Chekov. Walter Koenig, yeah, Walter Koenig and Bruce Campbell playing astronauts fighting robots on the moon. What's not the love
Jonathan Correia:Hell yeah? Jacobs mad at me because I went to a VHS swap meet and found a copy of
Jacob Davidson:Demon Wind. No?
Jonathan Correia:Well, I did find a copy of Demon Wind by. Did not buy it, but I did get metal metal project metal beast. There we go. I did, yeah, Jacobson, because I found a VHS of project metal beast and bought it. I did also find a copy of demon went by. Did not buy that one because I had to save my money for the 1990s monster mash, the movie starring Cameron burr from Full House, which I don't know why that movie exists. I don't know why it was made, and I can't wait to watch it.
James Jay Edwards:I had over Black Friday, a 24 had an AAA 24 30% off, you know, for members. So I actually caught up on a bunch of the vinyl releases of theirs that that I was missing, you know, stuff like Talk to Me, Sing Sing, Civil War, you know, because, I mean, 30% is better than the 10% that you usually get. Plus we're founding members of AAA24 because I guess the price is going up now, but not for us.
Jonathan Correia:Yeah, you came in just before you timed it. Well,
James Jay Edwards:it's been a few months, but, yeah, I'm glad that I got it when I got it, but I was thinking just yesterday, I'm like, where's my A24 stuff? And then I was like, wait, no heretic is in there, and that's a pre order, so I'm not going to get any of that stuff. But all these, you know, all these vinyl releases, are on their way, so it's going to be awesome.
Jacob Davidson:Yep. And yesterday was the grand release of probably my favorite movie the year, Hundreds of Beavers, ah, and it went, it was insane, like they had 2000 you know, slip cover copies that went sold out within an hour. But I'm glad I grabbed one. And they also have, like, a wooden slip cover one on their website, which I'm kind of tempted to get, but I don't know if I can double dip like that, but I'm just really glad that it shows just how much people love that movie, because it sold 1000s and 1000s of copies yesterday.
Jonathan Correia:Yeah, they're
James Jay Edwards:giving that an awards push. I'm in two critics groups, and I've gotten links to that movie for awards consideration. And even some of my colleagues who are in the Critics Choice Awards voting, they've gotten links to it so they're giving Hundreds of Beavers, and I don't know if it's going to come up with anything. I'm actually pushing for it, for costume design and comedic performance for in the San Diego Film critic awards. I don't know if, yeah, the problem is convincing people to watch a movie called Hundreds of Beavers. But, you know, it's definitely a niche Movie. But if you're in that, if you're in that demographic, you love it, which I think all three of us do. Oh,
Jonathan Correia:we absolutely are. And I love that. With this recent push and stuff, the director said that if they do a sequel, there's no plans, but if they do, it would be called 2 Hundreds of Beavers, which is just now, it has to be made. It absolutely has to
Jacob Davidson:the possibilities, man, let's
Jonathan Correia:get our special guest in this week. This week we are joined with Ryan Kruger, the writer, director, producer, an all around talent of this year's Street Trash. How are you Ryan,
Ryan Kruger:cool. Man, thank you so much for having me on.
Jonathan Correia:Oh, of course, man. We love Street Trash, and so we want to get down into the gooeyness of it. We always like to start off our interviews by asking, where'd you get your start? What got you into filmmaking, and especially the horror genre.
Ryan Kruger:It's always, it's always been one of those things that, you know, I mean, a lot of people my age, and even, like, 10 years ago, probably even 20 years ago, where people are still like, I didn't even, I didn't even know what I want to be, you know, when I get older or whatever. And as a kid, I've always, I've just always liked the movies. I grew up watching so many films with my dad and renting videos out, and it's always just been a thing. And I've never wasted any time doing anything else, like, I started acting, then I went into directing, still do my acting, so it's just something that's been there super, super early on. And, you know, some people go try study this, or go and they have a backup just in case this doesn't work. And dad will always say, you know, maybe, you know, maybe, if this doesn't work out. I'm not going to say it's not going to work out, right? But if it doesn't work out, maybe you should be like, a fucking lawyer or a doctor or this or that, and so just have a thing, just just for a backup, just in case. And then I've always been, you know, at that time, I was like, I'll do directing, and my mom and dad was like, like, we meant, like, something else, not in the film industry. So, yeah, so it's always, it's just always been a thing. And I've always loved, you know, growing up in the 80s and early 90s as a kid, just watching all these, you know, cool fucking horror films and gore films and, you know, going to the video shop, you know, looking at those fucking front covers, where you don't even read the back, it's just like, Oh, this looks amazing. And that's it. And it's such a I guess it was just such a big part of my childhood. And I actually often wonder, when I think about all the films that I watched as a kid, and all the TV series as I watched as a kid, and all the cartoons and stuff that I watched as a kid, and he knew all the characters and all this, I always think sometimes like and I went outside. I wasn't just indoors, but it's one of those where I'm thinking, How the fuck did we have so much time to watch all those things and still go outside? You know,
Jonathan Correia:it's hard to think about. I've been trying to get through a lot of, like, classic series, especially Star Trek, recently, and like, I'm only able to do it because it'll be at like, midnight and I'm sneaking in an episode in bed before I go to sleep. I It's time. Is insane.
Ryan Kruger:You talk about the original, original series.
Jonathan Correia:I'm talking all of them I have watched all and I'm working my way through original series and then animated to finish up right now. Okay, all right, cool. We're getting, we're getting, oh man, a friend
Jacob Davidson:of mine tried to finish Star Trek, The Animated Series, and he had to drink a lot to do it. They're fun,
Jonathan Correia:a bit crude and rough, but
Ryan Kruger:I've still got one of them on DHS. I've still got, like, it's like, one of the volumes on DHS.
Jonathan Correia:Oh, nice. I love that. Your backup. When your parents are like, all right, if acting doesn't work out, what are you gonna do? I'm gonna direct. That's my folks were, like, have you thought about something? Creative? They were like, they, have you thought about electrician or plumber, you know, some, some sort of trade,
Jacob Davidson:sounds awesome. My dad recommended it be a technical writer instead of a writer. Writer
Ryan Kruger:exactly you gotta. You gotta do what you gotta do, man, you gotta do what you enjoy,
Jacob Davidson:absolutely, exactly, and also you, and you raise a great point that the literal art of cover art for movies I feel is under appreciated, especially in the digital age, because, you know, like, I would also wander the video aisles and basically just make my selections based on how Cool a VHS cover was or how badly nightmarish you know, the cover was scared. It was scared to me, like the Dead Alive. VHS cover still haunts my nightmares.
Ryan Kruger:Yeah, it's one of those things. Listen, kids aren't gonna be like it was when I was a kid, growing up, spending three hours in a video shop looking for video, you know what I mean. And then your dad says you can have two and then you're in there for another hour looking, but, you know, people looking through Netflix, and obviously the, you know, obviously you get some cool artwork here and there, but like nothing compared to to the 80s. But I mean, if you look at a lot of like, so. Of the images on, you know, any, any fucking genres on, or series or whatever on, on Netflix, or any of these platforms, it's just like, there's always, you know, there's always that one background, whether it's a city or whether it's buildings, or whether there's desert, and then you've got all the characters just standing there doing this, and then women in the background, you know, it's always, it's always the same, like the same fucking layout for every single program. They're all just standing there. One's got the arms folded or whatever, and it's the same for every fucking thing. Or
Jonathan Correia:if it does have cool artwork on the Netflix thing, they'll just pick, like, a shot where it's just one characters head, and it'll be like, Wait, I've seen the amazing artwork done for the show. What are you doing here? And it's, it's trying to appeal to all audiences in it. Yeah, you know, you know, I
Ryan Kruger:hate what they what they do when they change the photo. So with, with newer films, I always forget the names. It's like, it just, it's hard to remember all the names now, like, they'll change the picture, because I'm always like, this fucking nothing on the Netflix, and it's constantly not fucking, there's nothing on. And then sometimes they change the poster, or they change the thumbnail, and you go, Oh, what's this? Oh, that's uh. And maybe if there's a cameo from like Christopher Walken, or not even, not even somebody as cool as Christ walking, it just be somebody else. And then they change the image. And you go, watch this. And then you go, I can see that already trying to con you, con your way in to watch another, ship, maybe predatory
Jacob Davidson:tactics, that's for sure, exactly. And before we get into Street Trash, I did want to ask you a bit about Fried Barry, which I also love, and I hope more people will find because of street trash. I wanted to ask, like, what? How did that start? I saw that it was a short for it looked like it was a short first, and then it became just that mind warp of a movie starring Gary Green, yeah, originally,
Ryan Kruger:I just made this. It was the three minute experimental. There was no plans for a feature or anything. It was just this random little experimental that I just wanted to show my style and do something different. And I did that, and it did, like, really well in, like, festival run and stuff. I only released that. I did that 2017 I only released that when I started doing the Fried Barry, just for, like, the promotion, and I started putting it out there. And yeah, it was, it was a few years down the line when I at that point in my career where I was just over, just false promises, where, you know, where producers will go. Oh, yeah, we, you know, we want to do a film with you, and this and this, and then it fades away, and then another producer, and then it fades away, and it just got to this thing where I'm like, you know, all I want to do is to make a feature film. I'm just not getting that opportunity. And the stuff that I want to shoot, it's also, you know, it's not 100% like commercial, or it's too dark, or it's too gritty, or whatever. I just said to myself, You know what? I want to make a movie. I want to start next month. And, you know, at the time, I spoke to my producer, and he was like, Well, have you got a script? I'm like, I'm busy writing it, and I'm going to write as I go. And he goes, Well, why do you want to shoot next month? And I was like, the way I saw it, like, if we don't shoot next month, it's never going to happen. So I'm, you know, I'm sick of just like, delaying stuff or saying you want to do something. I'm like, I want to start next month. And so I, you know, I had money, and my producer had money, and then independently, you know, the the month, the next month came, and we started shooting. And it took 28 days, over a year and a half, to finish that film. And I was writing as I was going, I had all the scene breakdowns, what I wanted, and I knew how it was going to end. But then, you know, as I'm writing, I'm like, Oh, this should happen. And then I would get the footage, and I'd be like, Oh, I actually don't need this. Now. I need this. And it just, it just developed like that. It was it that. So that was, like, basically my medicine that get me out of my the hole that I was in at the time, which fucking worked, and it also brought me Street Trash
Jacob Davidson:that's right now. And also they would make a great double feature,
Ryan Kruger:yeah. So, yeah, definitely.
Jacob Davidson:And on that, I really loved the new Street Trash. It was so much fun. And I'm kicking myself because I missed the theatrical screening at the new Beverly on 35 millimeter. I think, I think I had to work those nights or something. And I really wish I could have gone, oh, it
Jonathan Correia:was a great screening.
Ryan Kruger:It was, it was it was, it was really cool. I'm trying to think now, were you at the first or the second screening?
Jonathan Correia:I was at the first night? Yeah, yeah.
Ryan Kruger:I enjoyed this. Both nights were great. I enjoyed, I actually enjoyed the screening on the second night more because they turned up the volume more. So it was like with with the film, but yeah, both, both nights were was amazing. It was really cool, and it was great to see the audience laughing at all the right moments and stuff like. That. And, you know, I love, I always love an American audience, because you guys are very like, vocal you'll just like, shout out stuff like that, which is, which is awesome.
Jonathan Correia:It's hard not to with a movie like Street Trash. I mean, it's got a little bit of everything. It's got the drama, it's got comedy, it's got penis, decapitation, imaginary friends asking to get sucked off. I mean, there's something there for everybody with it. And the the crowd reactions were really great. I thought you were gonna say for a moment the second night was better because I wasn't there. But, you know, that's,
Ryan Kruger:that's, that's why it was better.
Jonathan Correia:How did you go, get involved with Street Trash. I mean, from from what I understand, it was a very, it was a very different shooting process than fried Berry. You said fried Berry was very you were writing as you were going along with this, yeah. How'd you Street Trash come to be so,
Ryan Kruger:yeah, basically what happened on street trash? It was we were screening. There was the premiere for fried Barry on Joe Bob's less driving. And the producers, Justin and Matt were, they've been looking for somebody or the right fit to do Street Trash. And for some reason, when fry Barry was screening, a lot of people was saying Ryan Krug would be a good fit. And it just came up, like so many times I thought, like, I thought nothing of it. And then eventually, you know, Justin reached out and said, Do you want to write a, if you want to write a script and and direct the movie? And obviously, like, I knew what Street Trash was. I was a fan of the, you know, the original film and, and, you know, I really wanted to do something different and not copy the original and have, like, a loose, you know, a loose sequel. So, you know, for a new audience, it could be a standalone film for, you know, for the for the fans and people like myself, it's like, you know, if you know the original, you know that this is more of a sequel, like we even mentioned the original film in this film, and, yeah, and, I mean, you know, making Street Trash as a fan, I look at it and go, you know, what did I like about street trash? What do people like about street trash? Not only, you know, is it shot in the 80s, and is that certain nostalgia, you know, movies that we you know, what we grew up, grew up with as kids and watching it and stuff like that. So, you know, I look at that, and I look at like, you know, 80s in New York. And obviously, the DNA of street trash is the fluorescent, you know, the colors of all the goo and all the blood, you know, that's all the multi, multi Goo is a big part of the DNA. And then obviously, is the 80s style prosthetics, which I love, prosthetics I thought I would ever make a film of a lot of in camera prosthetics, you know, that much anyway, and you have a more of a narrative story than the original. And it was important for me to have characters that you like and enjoy and go on this journey with. You know absolutely,
Jonathan Correia:because I had seen Street Trash years prior, and was always like, that was fun, but, you know, and then, like, left it by. And so before the screening, I revisited, and I felt like I was like, man, it felt like it was about to make a statement, but went for the joke instead, like it was setting up for to make like, a good statement about, like homelessness and like apathy towards the homeless and all that. But then it would go for the bit, which is, which is fun too, but I felt there was a bit of lacking. So watching your Street Trash, I was very happy to be like, Oh, you're actually sticking with saying something, but still having the time for goopiness, for the jokes, for the punk rock energy, exactly,
Ryan Kruger:and, yeah, and you know, there's a lot of, you know, social awareness, and you know, of layered within the film with, you know, the homeless and the government. And you know, we've all been through COVID. We all know how the government's like, Oh, you gotta, you gotta wear your mask. You gotta do this. You need, you need to, you know, you need to take this job, and then you need to take that job. And we all went through it. And not only that, a lot of people lost their houses, a lot of people people lost their jobs and businesses. And you know, even beforehand, there's a lot of homeless people. But even after COVID, it's way more, and it's everywhere in the world. It's crazy. So, you know, it's nice to see when people do see it in the film and see that as you know, that social message there, and it's laid it within the film and, and, like you said, it's still, I still have time for, you know, the jokes and the gooeyness and and have all that blood and guts and stuff like that, which is awesome, but it's also, as I said, if you see it, and you can see that laid into the film, which is great, but also step back and also look at it and be like, it is just a melt movie at the fucking end of the day as well. You know, it is a popcorn movie that you can enjoy and this and this, and you can't make it too, too serious about certain stuff. But it isn't. There's a like you said, the stuff. Is there, whether you pick it up or not. Then, you know, that's, that's cool that you do, yeah, yeah.
Jacob Davidson:And it was, and I did want to ask just kind of, what was your process in writing out these characters? And also, I think it was so cool that you brought back Gary Green from Fried Barry to play eight bit in this film. I
Ryan Kruger:couldn't not bring Gary Green back. You know, in this movie, it's like, it's, obviously, I'm, like, I have to, I have, I can have to bring him into this film. And obviously fitted so well into that, you know, drug addict again. But it was just like a bad acid head that's probably took just way too much fucking drugs. So it was cool to have, you know, to have him there. And because Gary is not a trained actor, and he comes from an extra background. And you know, when I did Fried Barry I had to work super fucking close with him, and it took a lot of time to get exactly what I want. He's Gary is a super nice guy, but it just, I have to jump through a lot of hoops to get exactly what I want. And the cool thing with this film is that, because visually, Gary just looks amazing. He just looks fucking cool. He's got this fucking great look. And, yeah, as long as I think I just cast him really well in the parts that I want him to play in, and he shines through, and we I've got like a three, three step process how I work with Gary, where I rehearse so much over a certain period of time, and then I rehearse on on set, and then there's, uh, certain stuff I do on set with them. And then when it comes to post, it's also polishing his performance and getting the beats so it looks even better. And you know what I mean, there's, there's a whole, there's a whole process there. But the cool feeling about Gary spot. I think it was only the second draft, and when I brought, when I came up with the idea for Sockle as a little Imagineer a friend, I just thought this is such a fucking cool and funny idea, like nobody will see it coming and and it was all it was almost designed for, like a support boat for me, working with Gary a little bit more so that, you know, he's just got this sidekick, and then I can, you know, just control the directing a little bit more. And then as a duo, it just, you know, it's even funnier. And the thing was, with that also, and I'm pretty sure this has happened already, but even beforehand, you know, I didn't want, I try to keep Sockle a secret as much as possible, because obviously, when you, when you when you when you're doing a street trash movie, and some people think straight away, oh, it's a remake. You know, straight away, it's a remake or reimagining and all this. So I've always been like, yes, a reimagining, loose sequel, but it is definitely not copying, you know, the original film. Yes, I've done nods to the original and played homage to it and respect to it. You know, soon as we the press got hold of the film, saying, remaking this, and then obviously, as a fan as well, when you hear somebody's doing like a remake, you're like, Oh, why the fuck are they making that? And why they just leave it alone? And, like I said, it's more of a sequel, but also because Sockle is so fucking random, you know, if original fans saw so be like, What the fuck is this fucking alien thing doing in Street Trash? But it works so well. You know what I mean. It works so well. That's why I said you got to, like, watch the film and and you also got to know that it's a sequel. And again, it comes back to that, you know, that cool 80s prosthetic puppet sort of vibe. So it's all, you know all, and it does all make sense, you know what I mean. And it's, it's been great that there's been so I've had so so so many messages of people and people reaching out, and things I've seen online where, you know, there's been a lot of the original fans that have watched the film and have and has really enjoyed it. They're so happy that it's more of a sequel and not a remake, you know, for scene, for scene, or anything like that. So, and that's the thing, you know, I just wanted my my own stamp on it, and, you know, and make it different.
Jonathan Correia:Has there been a lot of Sockle fan art coming out. I can imagine that there's a, there's a corner of the internet that's already going a little nuts with that. There's, there's,
Ryan Kruger:there's a few people upset me stuff. And what we're actually going to do. We haven't announced it yet, so it will come out on this first we will be doing a fan art competition, probably with Vinegars Syndrome and yeah. So we'll be really looking at, you know, people doing fine art. And probably, you know, when some blu rays and DVDs and stuff like that, we'll probably announce that pretty, pretty soon. Sweet.
Jacob Davidson:Yeah, and speaking of I also really like the poster art for your street trash with the melting right right cops face, which I'll go. A great juxtaposition to the original Street Trash poster, where the homeless guy melting, and also the tagline melt the rich. So I think it just really sets itself apart.
Ryan Kruger:Yeah, we should have actually called the film Street Trash; Melt the Rich. That's what we should actually that
Jacob Davidson:would have been a good hook. You could
Jonathan Correia:do a Ghostbusters thing. Just do it at post release, just like how they turned the Ghostbusters answer the call. Just call it trash, melt the rich.
Jacob Davidson:And I did want to ask about the rest of casting process, and also just writing out the rest of the cast characters. Yeah,
Ryan Kruger:no, brilliant cast. You know, a lot of these cast members were involved in Fried Barry. And, yeah, we had amazing cast. My very good friend Sean Cameron, Michael played Ronald, and Joe VAZ played chef, yeah, and it's those two guys are like, very, you know, I've worked with them, you know, over the years and stuff. And it's, it was so nice to do, finally do a film with the leads in the movie, which was also because it was always a thing like making music videos or short films saying, you know, one day we'll make, you know, we'll make a feature, and you guys will be the lead, and I can actually fucking pay you some money and shit like that. And so it's super special having that and having them on board. And they're great actors, and they've got such a, you know, they've done so, so much an amazing work. And this is the thing, like, I love the movies that I make. I'm a fan of my own fucking movies. I fucking love the films that I make, because it's not just my work, it's their work. Like Sean Cameron Michael, the amount of other amazing actors that he's worked with. He's such a brilliant, brilliant fucking actor he can do, like, he's just a great character actor. He's done so much cool shit. And I admire, you know, admire these people that I work with, you know, whether, even, whether it's, you know, somebody who's doing the soundtrack, or whatever, like, I love, or dop, you know, I love these people's work. And you know, it's all friends and pros coming together to, you know, to create something together and and I think that's what's very special, you know, about this film, how hard, you know, there was a very limited, I think maybe three or four people that auditioned, and everybody else was just cast. I just cast them because I know this person's going to be great in this role, this person's going to be great in that role. And, yeah, it's just hanging out with your mates. And the reason why they're there is not just because they were mates. They're very good at what they do. And it's just, you know, four and a half weeks, or however long it took. And it's just hanging out with your mates making a movie. I mean, you can't get better than that, you know. Oh, yeah,
Jacob Davidson:no. Just happy to hear that. It sounds, sounds like you kind of regular crew going and, and, yeah, no, yeah. And I do feel like you have to be a fan of your own work or your own projects, because, you know, it's just not you, and you got to support yourself and all the people involved, absolutely,
Ryan Kruger:yeah, no. It's just one of those things where, you know, like I said, it's, you know, it takes so many people to, you know, to make a movie. There's so many people and it, you know, it takes the right recipe as well. And I think that's something, I think I'm really good at, of bringing, you know, certain people together to to make, you know, a high standard thing that that's going to work. That's Entertainment. And, you know, and casting the right, you know, the right characters and the right people for for these things. And so, like I said, whether it's the music or the the you know, the wardrobe, styling, or whatever, you know what I mean, it's a it's a big, it's a big part of of everything. You know, when you look at a frame, it's, it's so many people's work, you know?
Jonathan Correia:Oh, yeah, absolutely. The original Street trash is so steeped in 80s New York. What was it like? Kind of balancing that esthetic with also bringing so much of Cape Town, yeah.
Ryan Kruger:You know, there's a lot of films that get shot here that pretend that it's America or whatever. And the thing is straight away again, I wanted my own stamp on it, and to set it in Cape Town, you know, it's also something different. It's a completely also different vibe, but still universally entertained, you know, entertainment as well at the same time. So it's just something different. So I didn't want to, you know, I mean, I'm not American, I'm freaking English, South African. So, you know, I also, you know, I don't want to again. I wanted to stay away from the original and have my own, like, stamp on it. And I think South Africa has a lot to offer. I think South Africa is still very new in the film world. Of you know what people think? I mean, I mean, I remember as a kid growing up in England, also going back and forth into South Africa. And, you know, you say to people, you know, are you from South Africa? And they like, well, they just picture like lions and stuff in your backyard like that, or like, why am I white, if I'm from South Africa? Just like, weird shit like that. So it's just, it. It's people have a very warped perception of of what South Africa is, and it's just like anywhere else in the world. It's like, it's built up. Yeah, it's a Cape Town is a very cool city. So, yeah, it's just adding something different and something, you know, that brings something else, you know.
Jacob Davidson:Yeah. And I did want to ask, in terms of the practical effects. Who was involved for that? And do you have an exact figure for just how many gallons of blood and various bodily fluids were used in the making of the movie?
Ryan Kruger:It was Adrien Smith from creations. So there was a lot of planning for that. Prosthetics. I don't know how many gallons of goo and and blood and multi colored goo that we had, it was a shitload. I know that because the cleanup team took, you know, try, try, picking that shit up. You know, it was like a lot. I mean, even when we shot the, the first scene of the of the movie with a guy sitting in the chair, and he's in the experimental room. When we shot that, we actually shot that before the main part of of shooting street trash. It was the concept approval, originally, what we we started with, and there was so much blood and goo on the floor, and there was, like, everybody started going home. And it was just like, me and another assistant, or I'm a producer at the time, and it was, there was so much blood and goo on the floor, it was impossible to get everything, you know, in buckets and stuff like that. And there was no lights in the building, and people started leaving. But I had to clean the place, and I ended up just pushing it out on the floor, just like, just pushing it out further, so it just so it's not thick blood, just puddles. I started to push it out on the floor, just to even out. And I think the it was almost like, I died. Died the floor. Like, right? Was just like, yeah. But the locations, people never shouted at me. So it's, it was alright. I got, I guess I got away with it.
Jonathan Correia:You got your deposit back. That's all that's, that's important. It looked good. Looked amazing, yeah, the all the blood, the goo, the multi color punk rock loved it. We're getting towards the end. So Ryan wanted to check with you and see we have street trashes out on digital right now. On Screambox, it's streaming, and it's coming soon to blu ray through vinegar syndrome, which is very exciting. They always do awesome blu ray. So looking forward to that. Yeah,
Ryan Kruger:that's in January. Vinegar syndrome is in January, and screen box is it's next month. So right now we're on digital platforms, Amazon and Apple TV, and pretty sure there's a few others as well. Oh,
Jonathan Correia:awesome. And you're and you guys are still doing the screen 35 millimeter screenings and select data. Yeah,
Ryan Kruger:that's still happening right now. I would like to go to another one of those. I want to go, I want to go. I want to go to the New York the New York one. That's, that's where I want to tell you,
Jacob Davidson:wearing a Yankees hat right now.
Ryan Kruger:Yeah.
Jonathan Correia:Uh, what else do you have coming up, coming up for you?
Ryan Kruger:Um, so right now, there's a few, there's a few films that we're talking about right now. And it's, it's really, you never know what's going to happen. You know, you never know what's you know looks like this films going to happen, and then somebody else picks up the other film, and it just happens sooner some So sometimes that's the case. I have though, been working on this very like, odd house indie, black and white movie starring Gary, oh, cool. Very different than Street Trash and very different than fri Barry. But it's literally about a weirdo that is that wants to be an actor, but he's a shit actor, and he's and yeah, he ends up going like full method, and starts going fucking mad and starts fucking killing people. Basically,
Jonathan Correia:damn bad Gary, isn't he? Yeah, he's
Ryan Kruger:awesome, man. Gary's, he's, that's what I'm saying. No matter what I shoot up, you know, Gary will end up popping up somewhere. I again, I just picked the right characters. I have patience working with Gary. You know, it takes a lot of time to work with them and get exactly what I want, but that's cool. That's fine. I'm patient with them, and we work well together. I just got to jump through some hoops during the making of and directing them, but it's fine. We get there in the end, and Gary is great. He never gives up. He's always putting 120% in. So he'll never be like, I'm done. I can't do this. He even when I've got the take, he'll, he'll be like, Ryan, let's do it again. I'm like, go. Trust me, we got it. Like mine. Took 70 takes. We got it. And he's like, no, no, let's do it again. I'm like, no, no. Trust me. We like we. We got it, and if it doesn't work, I'm like, no guy, we're not doing another take. It's like, we definitely can't get this, but it's alright, look, I'm going to try something else which will which will work instead. So
Jonathan Correia:let's go. He's your Oliver rete or Ken Russell. There
Ryan Kruger:is more, more like my, it's like my Bela Lugosi
Jonathan Correia:to your Edward or your Todd brown question, Well, where can we find you, on online or on social so we can keep up with the projects you have coming up and more street trash news,
Ryan Kruger:yeah, on Twitter and Instagram. It's Ryan Kruger thing, and on Facebook, typing Ryan Kruger should it should pop up. And also Ryan Kruger dot all the upcoming stall the RIP. So, yeah, keep a look out for that. If you watch Street Trash, showed some love on letterbox. And let me know. Let me know what you think.
Jonathan Correia:Great. Definitely show the love on letterbox for Justin's sanity, please. Oh yeah, exactly sorry. I crashed myself up with that. Thank you so much for joining us. Of course, you could find Eye On Horror on all the socials@EyeOnHorror, or you could find us at iHorror.com, which is a website we call home. Our theme music is by Restless Spirits, so go check them out. And our artwork is by Chris Fisher, so go check him out, and remember to check out Street Trash now on digital platforms coming soon to stream box coming soon to vinegar syndrome and and, of course, if you are able to go to a screening on 35 go see it. This film was shot on 35 and looks amazing on the big screen. So yeah, and we'll see everybody in a couple of weeks. So for me, I'm Jon Correia,
Jacob Davidson:I'm Jacob Davison,
James Jay Edwards:I'm James J Edwards, And
Ryan Kruger:I'm Ryan Kruger.
Jonathan Correia:Keep your Eye On Horror.
