Welcome back! After an extended break during the holiday season, the boys are back! While playing catch up, the boys discuss V/H/S/99, Hellraiser 2022, Halloween Ends, Smile, Jacob goes to 3 Horrorthons, Correia nearly completes his Hooptober list (damn day job), and Jay dives into Tubi's catalogue. Its all new on EYE ON HORROR
https://linktr.ee/EyeOnHorror
Follow us on the socials: @EyeOnHorror or check out https://linktr.ee/EyeOnHorror
Get more horror movie news at: https://ihorror.com
Welcome back! After an extended break during the holiday season, the boys are back! While playing catch up, the boys discuss V/H/S/99, Hellraiser 2022, Halloween Ends, Smile, Jacob goes to 3 Horrorthons, Correia nearly completes his Hooptober list (damn day job), and Jay dives into Tubi's catalogue. Its all new on EYE ON HORROR
https://linktr.ee/EyeOnHorror
Follow us on the socials: @EyeOnHorror or check out https://linktr.ee/EyeOnHorror
Get more horror movie news at: https://ihorror.com
Welcome to Eye On Horror the official podcast of iHorror.com This is episode 96. Otherwise known as season five episode 18, 96 of these? man, we're getting up there. I am your host James Jay Edwards and with me as always is your other host, Jacob Davison. How you doing? Jacob?
Jacob Davidson:Doing good. Just still kind of waking up but yeah. Or near the big 100
James Jay Edwards:We're getting there. Yeah. Also with us yet again, as always is your other other host, Jon Correia. How you doing Correia?
Jonathan Correia:Great sweater sweater, sweater weather. There we go. Yeah, I get to wear my hoodies. Yeah, I buy so many hoodies and I don't get to wear them all the time.
James Jay Edwards:Yeah. So for about the next three weeks. It's sweater weather.
Jonathan Correia:I love it. I love it later. I
Jacob Davidson:at least say three months because like it still gets pretty chilly in January, February.
James Jay Edwards:Three months, though. Maybe I hope? Because I'd rather have it be cold than warm. Because you can always put layers on. Yeah,
Jonathan Correia:you get to a certain point and then you just have like Frank in Hellraiser you
Jacob Davidson:owe me,
James Jay Edwards:we haven't done one of these in a while i i almost forgot how that intro goes. It's been so long. I hope you guys missed us as much as we miss you. And I can say that I've missed both of you guys. We haven't sat down like this. We see each other on social media, and we, you know, reply and like and stuff, but this is the only FaceTime that we get. So
Jonathan Correia:yeah, you know, we we decided very early October to take a couple of weeks off, you know, our our day jobs got real busy this last month. And you know, I also wanted to try to give ourselves a chance to celebrate, you know, this season. So it seemed a little unorthodox to not be recording during our the big month of the year. But we're also huge fans of Halloween and, you know, needed to take that time for ourselves. And now we're back so we have so much to catch up on. I don't know about you guys, but I snuck in quite a few viewings during October.
James Jay Edwards:Yeah, I got a lot of good watching done. What we're going to do today is if you're if you're a loyal listener, you know that we kind of just bullshit around the stuff that now I have to check that explicit box because
Jacob Davidson:You said the B word.
James Jay Edwards:I always check that anyway, because a Korea is potty mouth. We usually just kind of like, you know, I'm going to do it again. We usually kind of shoot the shit about what we've seen and what's been going on for the first half. And then we go to a topic or a guest. Well, if you like that first half of our episodes, you're in for a treat today, because all we're going to do is shoot the shit. So what you guys been seeing,
Jacob Davidson:Oh, geez, where to begin? Yeah,
Jonathan Correia:I was mostly working on my Hooptober list, which, as you all know, I mostly use two as an opportunity to watch movies that I own that I haven't watched yet. And I did not finish my list this year. I think I got 90%
James Jay Edwards:Damn day job,
Jonathan Correia:damn day job. And also, I spent the last five or so days of October in New England. So I spent a lot of time the last few you know, the last run of it just visiting family friends and spooky cemeteries all throughout. So
James Jay Edwards:they don't have horror movies in New England. But I was you know,
Jonathan Correia:I was having too much fun visiting, you know, and seeing fam So, but yeah, a lot of those titles were like older this year with the Hooptober list. There was a lot of regional horror requirements. So I got to watch a lot of stuff like Whiskey Mountain, The Child really dug into my Arrow box sets of the American Horror Project, you know, which a lot of them were a lot of fun. And it was really interesting seeing these regional horror films that were made by like filmmakers that were specific to areas outside of Hollywood. So seeing stuff that was like being produced by small small small studios and like Florida and Wisconsin. It was really cool. So those were really fun. And of course, I got to finally watch Toby Hooper title that I hadn't seen before because you can't do Hooptober without watching the Toby Hooper movie and it was Eaten Alive with oh, oh, is such an interesting movie because it's the one he made after Texas Chainsaw and he basically because the Texas Chainsaw got studio space. And Phil I'm in a studio in LA. And the whole story it sounds like something that someone would hire the guy who made Texas Chainsaw to make because it's all about this real life guy who like murdered people and then fed them supposedly fed them to his alligator. And but the whole thing was shot like a fairytale and was like very weird overall. And there was also a lot of behind the scenes things of like, Toby Hooper, like getting replaced towards the end and like losing final edit and stuff, which happened a lot to him. Unfortunately, throughout his career,
James Jay Edwards:get to say that that that might have been the first time but it wouldn't be the last.
Jonathan Correia:Yeah, but at the end of the day, it was still really very weird. Very interesting. Like,
James Jay Edwards:did you recognize Robert England in it?
Jonathan Correia:It? Oh, of course, Robert Englund. Southern horndog.
Jacob Davidson:Yeah, Buck. Yeah, that's where Tarantino got that whole thing. Like, names book and I'm here to fuck.
Jonathan Correia:We definitely have to check the explicit buttons.
Jacob Davidson:Sorry, sorry, couldn't resist.
Jonathan Correia:But yeah, it was it was a grand old time. I always loved doing the October I'm going to try to finish out the titles this month. But yeah, that was definitely a highlight. Also, I think we've talked about it already. Mikey, was another huge highlight for me. And Dr. Terror's House of Horrors, which is another anthology from Amicus was just absolutely brilliant. There was a Christopher Lee's story in a he played like an art critic who is a real dick. And he gets tricked by this one guy who always like, like really trashes on and like, made him give a good review to a painting that was made by a chimpanzee and it drove him insane to the point of murder. So he murders the guy and the guy's hand haunts him. It was it's just so good. And you can't you can't beat an Amicus anthology film. They were they were the masters. And
James Jay Edwards:that sounds like a kitchen sink one. It's like, okay, okay, no, let's have a painting by a chimpanzee. No, no, no, hear me out. A haunted hand.
Jonathan Correia:Oh, it was great. Like afterwards, the artists kept showing up to things like Chris Lee would be giving a speech and the guy would be in the background. And like made like paper cuts of chimpanzees to show. It was good.
James Jay Edwards:What is this Dr.Terror's what?
Jonathan Correia:House of Horrors, which is also hilarious because it's all like the the story that connects it all. All takes place on a train. It's not even in a house.
Jacob Davidson:Oh, yeah. I didn't even think about that. Yeah.
Jonathan Correia:Oh, it's great. I watched that one. A VHS is so much fun.
Jacob Davidson:Yeah, that that is a classic. And you got Christopher Lee and Peter Cushing. And then when and Donald Sutherland. Yeah, Donald Sutherland. And that's, yeah, very young Donald Sutherland. Yeah, the Amicus really could bring a cast together. Oh, yeah.
James Jay Edwards:Did either you guys see V/H/S/99.
Jacob Davidson:I did. I saw it at Beyond Fest. Yeah.
James Jay Edwards:I just watched it on Shudder. It is it. For me, it was pretty typical of what the VHS movies are. Which to me is, I mean, first of all, it's hit or miss because you know, it's anthology. But also, none of them felt like they finished. You know, it's like, it's like they all had good concepts leading up to it. And then all of a sudden, it's almost like they didn't know how to end them. So they just ended it in the most crazy way possible. I don't know what I did like is they embrace the 90s? The 99 aspect? Yeah, there's one the one about the band and they're doing like their pitch. Yeah. That one was cool. And I think my favorite was the one with the with the I think it's called Gawker, the one with the kids who were spying on the girl across the street. Oh, yeah. I think that's my favorite one of the bunch. But
Jacob Davidson:yeah, that was a good one. Like, I yeah, I saw the anthology. And it was a big fan of a lot of the segments. Any of that segment in particular was directed by Tyler McIntyre, who did Tragedy Girls. And it was interesting getting his perspective after the movie because he was saying, you know, that, you know, fitting in the 1999 theme that was like, kind of a horror twist on you know, like sex comedies at the time like American Pie.
James Jay Edwards:Yeah, that's that's what it felt like because they're gone over this girl that lives across the street from them who kind of starts being friendly with their little brother
Jacob Davidson:and they install like a camera or like they hack into her web camera.
James Jay Edwards:Yeah, cuz they use the little brother who's friends with her to get in there too.
Jacob Davidson:Yeah. And for me, my favorite segment and ties into another movie I saw was probably the to Hell and Back bit at the end were like these guys are documentary of witches ritual on New Year's Eve 1999. And they get sucked into hell. And they have to figure out a way to get out of hell. Bye. By the before the end of the ritual at midnight, and they'd be friends like this weird Gremlin lady named Mabel the skull biter
James Jay Edwards:yeah she she's this movie's Raatma
Jacob Davidson:oh yeah yeah that like there isn't even is a little cameo by rat my like a little Raatma Doll makes an appearance but yeah no Mabels definitely the standout star just because like she yeah she's kind of like this almost Gollum like demon woman that the camera people kind of be friend and try to figure out how to get a hell while they're being attacked by like other demons and weird shit.
Jonathan Correia:I just I haven't seen 99 But I did love that the rat mutt Twitter she like when it premiered was just like what the hell where am I basically I that cracked me up I need it's on my watch list. Yeah,
Jacob Davidson:yeah, and yeah, and that was directed by Joseph Winner Vanessa winner who also directed another great release this year. DeadStream did you either of you guys see that?
James Jay Edwards:Is that also on Shudder?
Jacob Davidson:Yeah, yeah, it's also in Shudder Yeah, it's basically a found footage thing about this like YouTuber like celebrity guy who does something really bad that knocks his popularity so he decides to film himself inside a haunted house to get his viewership back. And it turns out the house actually is haunted and I can best describe it as like, Evil Dead for the Tic Tok generation because yeah, it's it's it's like a found footage thing. And like the guy is, again attacked by like, all these ghouls and ghosts and stuff. And like, it's all I think it's almost entirely practical effects. Very well done. Though, there's a lot of slapstick, like, he gets smacked around and like the like, yeah, like he has to fight these demons and stuff. It. It's, it's a lot of fun. I would recommend it.
James Jay Edwards:You guys seen I saw a Facebook ad for it somewhere. And I checked it out. It's called The Haunting of the Murder House. Have you guys heard about this? It? It's weird. It made me think I had actually forgotten that. I watched it until you brought up Deadstream because it sounds like the same thing. There's this team of ghost hunters that have like this YouTube channel. And they go into this house called The Murder House. And they what drew me in which is a complete red herring, the Facebook ads were saying you know, it basically it used the setup for the Blair Witch. It's like all in 1999, these people went into this house, a year later, their footage was found. It's not that at all, not even close. But it's basically this live stream and they have a guy in the van who's producing the stream, and the three of them are locked in the house. And it's, you know, some of it is actually pretty engaging. I mean, it's they have some, there's one scene where one of the guys is locked in a room they do like dares with their audience, they say what should we do? And they say, you know, lock him in and lock him in. So he locks up in this room. And there's all these mannequins in the room. Or there's there's a mannequin in the room that is, you know, haunted, I guess you could say, and that scene is actually kind of crazy, but I mean, the movie as a whole is kind of one of those. It's like, it's one of those found footage movies where where someone's like, hey, you know, they wake up one morning like, oh, let's make a movie. Like a lot of found footage movies where you know, anybody can do it. So anybody does. Yeah, but yeah, and yeah, and it definitely needed a better title.
Jonathan Correia:Yeah, that's that is one of the most generic sounding titles. Murder House with like so many words,
James Jay Edwards:The Haunting of the Murder House. Was The Haunting of the Amityville murders.
Jacob Davidson:Yeah, just throw that on the pile.
Jonathan Correia:One of those like algorithm slightly sounds like something else. Asylum film.
James Jay Edwards:I programmed this AI to title my movie, and this is what it came up with.
Jacob Davidson:Yeah, and also, I just wanted to bring up that I did three horror movie marathons last month. And yeah, I'm
Jonathan Correia:surprised it wasn't five.
James Jay Edwards:How much stuff did you win at these?
Jacob Davidson:Yeah, I was gonna say you guys were gonna hate me because like I went to a triple feature at the Beyond Fest where I saw Kids Vs. Aliens, A Wounded Fawn, V/H/S/99, and I won something at every screening that day.
James Jay Edwards:Oh, no. Why would we hate you? We expect it
Jonathan Correia:that's like saying, I'm so upset that, you know, Jay's dog was adorable today. Okay, that's just what we do. We just expect it. Of course Loomis is adorable. You walk
James Jay Edwards:out of the house and someone throws a Blu ray at you. Yeah, it just happens.
Jacob Davidson:I've just walked I'm walking down the street and I end up catching a t shirt. But anyway, yeah, so I did a few marathons last month. Let's see I did the Friday Night Frights Creature Feature THON over at Brain Dead Studios, so you know, it's all monster movie themed it was all 16 millimeter through Secret 16 and Museum of Home Video, and that was pretty fun. Let's see we did. Parasite the full moon Parasite not Bong Joon Ho's Parasite. The Alligator People, which apparently went to Joe Dante his favorites. Stephen King's Graveyard Shifts. On one right yeah. Yeah. Frankenstein Unbound from Roger Corman. Q the Winged Serpent.
Jonathan Correia:I fucking love Q.
Jacob Davidson:Oh, yeah. And the and the real barn Buster at the end Critters.
Jonathan Correia:Critters is always a great time.
Jacob Davidson:Yeah, no, that's just a fun thing in general, like the audience, like practically gave it a standing ovation at the scene where Dee Wallace Stone is like shooting the Critters and one of them says they have weapons and then the other Critter says So what and then the Critter gets blown away by the walls stone to the other one just says fuck.
Jonathan Correia:It deserves a standing ovation.
Jacob Davidson:It does that. That was pure cinema. And let's see then had the New Beverly Horrorthon which was all 35 millimeter. And let's see that was a Nightmare Beach. The Florida Giallo movie with John Saxon. The People Who Own the Dark. This kind of weird Euro horror. We're like everybody's blind. The Black Scorpion the giant monster movie. I Madman met a kind of 90s slasher thing. Night of the zombies weird Italian zombie movie and the 2008 2009 remake of Sorority Row with Carrie Fisher.
Jonathan Correia:Huh. How was that and like, that's one of those ones that I've been interested in, in checking out just I don't know, I had an idea of checking out a lot of those 90s slasher remakes.
Jacob Davidson:Yeah, you know, honestly, it was one of the most fun screenings of the night and you know, it held up surprisingly well, because, yeah, it had that kind of late 2000s, mean spiritedness and gore. But also it was pretty fun and had a lot of good gags and like, the killer's whole shtick is like he has this like tricked out tire iron with like spikes and stuff.
Jonathan Correia:With like a knife attached to Yeah, yeah. I remember seeing that in the ads.
Jacob Davidson:No, it's it's actually pretty fun. And ya know, Carrie Fisher like steals the show every time she appears. What that's just Carrie Fisher. Yeah, she has a fucking shotgun.
Jonathan Correia:Fucking icon right there. Yeah.
James Jay Edwards:Carrie Fisher with a shotgun, one of my
Jacob Davidson:And lastly, and certainly not least, we had the heroes. annual Aero Horrorthonn, which had some real good selections this year. We had Clive Barker's Lord of illusions, which I feel feels very underrated. You know, it's a lot of fun. Favorites. Yeah. Then we have hammers horror of Dracula or Dracula. You know, the Hammer drag first Hammer Dracula movie with Christopher Lee and Peter Cushing. And this one got a good reaction of crowd The Hidden with Carl McLaughlin, and Mortuary from 1983 with a very young but charismatic Bill Paxton.
James Jay Edwards:I was gonna say that's Bill Paxton, right? Yeah,
Jacob Davidson:that is Bill packs. And Paxton not Pullman. Nope. Yeah. No, don't get mixed up unless you're watching Brain Damage. And then we had Lucio Fulchi's Zombi, you know, and people lost their goddamn shit over the eye Splinter scenes. Of course,
Jonathan Correia:how could you not?
Jacob Davidson:That's a good crowd one. And lastly, a Slaughterhouse Rock, which I had never seen before.
Jonathan Correia:That sounds like an interesting one. Yeah. Oh, and
Jacob Davidson:the fun thing, though, about the arrow horse was that I actually got to be a character in the, you know, in between segments, you know, like the little storyline in between. And I was, I was Roddy Piper handing out blu ray copies of American Sniper because, like, there's a lot of rhyming scheme scheming with the character.
James Jay Edwards:Were you dressed like Roddy Piper?
Jacob Davidson:Yes. So I was dressed as Roddy Piper. And yes, I do. But also in the in between segments. I got beaten up by MechaCorn Gordon because corn gourd had his corn stolen Corn gourd of course being the living God and mascot of the horrorthon and ya know, so everybody has started deficiency so as Roddy Piper was defeated by MechaCorn Gorn,
Jonathan Correia:that's going to be our episode picture is you as Roddy Piper.
Jacob Davidson:Yeah, it was a fun time. But no, it was an honor. And yeah, and I just I really love the kind of like inner lore and mythology of the horrorTHON. But ya know, just, there was a lot of great horrorthons this year, and I was glad I was able to hit three, three horror funds at movies.
Jonathan Correia:Wow. Speaking of Hammer, Dracula, I finally watched the final two Dracula 1972 AD and the Satanic Rites of Dracula.
Jacob Davidson:Oh, yeah.
Jonathan Correia:They did not disappoint. Like, I yeah, there wasn't much this really in 72. And he kind of just stayed in a church, you know, but it was still really cool. Seeing like, what was the modern day, you know, Dracula in modern time is now again, a historical piece because it was 72, you know, but Satanic Rites of Dracula blew me away in just the fact that they made Dracula basically. Because he's in modern time. He's like, Oh, how can I be super evil. And he basically becomes like, a very successful businessman and is in charge of like this mega corporation. And they're trying to manufacture like, the bubonic plague, but times 10 You know, and it's so cool. And he basically tricks all these powerful people into thinking that he's like, this great, powerful satanic being. And I get the feeling that like, all the satanic bits was just Dracula, manipulating them into thinking that they were going to get immortality and all the shit and then basically being like, Nope, I'm a vampire. Bitch!
Jacob Davidson:so that was around that time that you know, like Satan movies post Rosemary's Baby, and all the extras and all that were pretty popular.
Jonathan Correia:Oh, totally. And it nailed the satanic aesthetics down really well, because they had like a nice like showdown between Dracula and one of the descendants of Van Helsing, who was introduced in 72 is still Peter Cushing. And, but one of my favorite parts of it is, what's the motivation behind Dracula, wanting to murder everybody? Because if he's all that's left, then he's like the king of nothing. And they kind of explore it a bit where it's just Dracula wants everyone dead, so we could be left alone. And it makes sense. Wow, with how many Dracula movies they made and how many times, he's resurrected. And he's just like, Dude, I just want to fucking die. Like if I have to kill everyone in the world in order to die peacefully, finally, I'll fucking do it. And he tried, man. He tried.
James Jay Edwards:Once again, a villain who is right, yeah. Oh, I've said Bane was right. I said Thanos was right. And I'll say Dracula is right. Leave him alone.
Jonathan Correia:First of all, I will not say that any of them were right. But I understand I get that I get that getting constantly woken up, like, you know, especially at that point where it's like, your whole body those resurrection scenes never look like fun for who's getting resurrected. So I get it. I would be pissed off too if I got woken up in the 70s in like mod central London and had to be stuck in a fucking church the entire time, you know, only to be killed again by a descendant of Hellsing like I would, I would be pretty busy too.
James Jay Edwards:This is explaining a lot about Jason Vorhees after part six. Yeah, he's just a crabby dude. Because he's a dude, I was dead. I was rested and you had to strike me with lightning? Well, it's
Jonathan Correia:kind of like in Buffy when they brought Buffy back and she's like, What the fuck guys I was in heaven. And now I don't know if I'm gonna go back there. I was at peace. I didn't have to deal with all this bullshit. And now I'm like, beyond depressed. And it's like I get it. But like, you know, Dracula, so ya know, highly recommend those two. I know. They get a lot of flack and say like, they're not great as like an overall end to the hammer Dracula movies, but I had so much fun with them.
James Jay Edwards:Pretty much everything we're talking about today, since we haven't talked this while is going to be kind of old. But from from about a month or so ago. Either you guys see Smile? Smile is it. It's on one hand, it's a pretty typical, like outrun the curse movie. Like, you know, It Follows or Blumhouse is Truth or Dare You know, it's that kind of a thing. But on the other hand, it is really, really well made. And it's directed by Parker Finn, who it's a it's kind of an elaboration on a short film he did. And I would love to see I mean, he directs the shit out of this movie. We're checking that explicit box all over the place today.
Jonathan Correia:Well, after my Dracula rant
Jacob Davidson:Well we're just so passionate,
James Jay Edwards:yeah, he directs the crap Out of smile. And I really want to see what he can do with a more original story because smile is a good movie. It's I mean, it's scary as hell, it's got some great scares, it's kind of from that whole James Wan, where there's a couple cheap scares that set you up for like the real ones. You know, it's, um, but it's, I mean, it's a really well made movie. It's a good movie. It's just a story that you've seen before. And I really would like to see what Parker Parker Finn can do with with a more original story. So I'm looking forward to what he's doing. What he's going to do next, because I think it'd be good. He's a good director.
Jonathan Correia:It did look like an amalgam. And then, oh, shit, why did I choose to use that word? Looks like a combination of like, a lot of things that you've seen before, which, again, isn't inherently bad, I will never fault for someone doing something that's been done before, but doing their own spin on it. And it's, it doesn't become re- Because like, nothing's original. Everything has been done at some point before. It's what you do with it to make it fun. You know, not everything can be Barbarian where it's just original, you know,
James Jay Edwards:there's only 12 notes on the keyboard, as Bach would say.
Jonathan Correia:Now, there was another recent one that I think we all watched Hellraiser.
Jacob Davidson:Yeah,
James Jay Edwards:I did not watch Hellraiser. I know.
Jonathan Correia:I'm the one that doesn't watch things. Come on.
James Jay Edwards:Honestly, I am so turned off by the later Hellraiser movies I couldn't get excited for although I am excited to see the new Pinhead. And I'll get to it eventually. But yeah,
Jonathan Correia:she's incredible. Um, I will before we talk about the new one, I will say I've been that person that has only ever watched the first two because I heard so much about the sequels and who is so massively in love with the first two so I rewatched the first two and then I watched three and four. And I just want to Bitch for a moment about because my God talk about not understanding the assignment like they suddenly were just making Cenobites left and right and all the Cenobites were acting like some fucking like Terminator Robocop fucking Cenobite things like a like, Hell on Earth just and it's so sad because I liked that. I liked that director's work. He made the awesome Full Moon Full Eclipse movie he made Jane the Ripper, and Waxwork. Yeah, he made all these cool ones. And then like how Hellraiser Hell on Earth just felt like it was just like what are you, and then like Bloodline felt like it was trying to correct it a bit. But then like, got like, swept up in some like, I don't know what was happening behind the scenes, probably some Weinstein bullshit, but yeah, I that made me stop with the sequence like how I did Children of the Corn and one through six and eventually got to a point where I'm like, Alright, I've had enough I probably I do want to watch Inferno at some point soon because that was got early work, but I will say after re falling in love with one and two and being incredibly side lined and just like dismayed by three and four Hellraiser 2022 was a breath of fresh air because it felt like it was more in line with the originals. It felt like we got like stayed within like the mythology it stayed within the themes and the thoughts of it, but was a completely different take. You know, because with the I think I think my first note was Where did all the sexy leather daddy stuff go? Like they completely wash that away and this one is more focused, not so much on the pleasure but the pain and that was the big theme of it, which I found to be a very interesting take and the new you know, priest, or pinhead if you want to call it was fucking phenomenal shoot, she killed it. Some great kill some great visual stuff happening. And the characters were actually interesting to watch, you know. And then what they did with the box itself was so much fun. Like I just had I just had, it's one of those ones where I had a lot of fun with it. And then like everyone started trashing it online, or not everyone but like, you know, the people that were against it. Were very vocal, and I'm just like, I don't like I had fun with it. I had I enjoyed the movie. I don't feel like defending it that hard. You know what I mean? Like, it's like, I enjoyed it. I don't I don't need to fight online people over this. Same with Halloween movies. I stay out of those.
James Jay Edwards:We'll we'll get to that. Yeah,
Jonathan Correia:well, yeah. Jacob, what do you think of the new Hellraiser?
Jacob Davidson:I really liked it. I was very fortunate to see it theatrically at beyond fest. But I thought it was an interesting spin on the lore and kind of mythology of the franchise and, you know, kind of readjusted for this adaptation because yeah, And I get I get that that, you know, it seemed more like they were focused, kind of, you know, the pain more than the pleasure and actually at the q&a, you know, Bruckner and those guys were talking about how, you know, for the designs for the Cenobites, and, you know, kind of the aesthetic, they were kind of going more toward the original descriptions and characterizations from the hellbound heart. And they actually had Clive Barker there. And, you know, he was talking about that, too, you know, saying that, you know, like, the original will be able to have the original or the Hellraiser movie Cenobites designs where, you know, kind of, of its time so, you know, even he agreed that they wanted to try something different, you know, because it was different story,
Jonathan Correia:which is, which I'm glad they did, because I feel that focus that more focus on the pain and having their kind of suits be their own, you know, mutilated bodies was much more fitting. And, you know, we have the technology now with practical effects and whatnot to be able to pull that off. I feel a bit a lot better than back and don't get me wrong, there was amazing practical effects back in the 80s. But, you know, it's understandable to like do a do hard focus on like the head and like some other features and then cover it the rest with leather or pleather whenever you know. I mean, as you know, I I'm just thinking back to Mad Max, how only Max had a leather jacket, everyone else were pleather so
Jacob Davidson:and in terms of big new releases, I feel like I would be remiss if I didn't mention Terrifier 2
Jonathan Correia:go for it. I haven't seen it. I haven't watched any Terrifier movies.
James Jay Edwards:You didn't like the first Terrifier did you? Jacob?
Jacob Davidson:I did not.
James Jay Edwards:Okay, what do you think of two? I haven't seen two.
Jacob Davidson:Yeah, you know, that was the thing I did not like to tear the original Terrifier but good. I find terrified to was pretty solid. Like definitely an improvement over the first one. Also probably has to have the longest runtime of any slasher movie ever made. Good God,
James Jay Edwards:it is a long one. What is it? 218 or something like that? Well, yeah,
Jacob Davidson:that's the thing. It's technically like two hours and 15 minutes. It's just I figured it got extended to two and a half hours because the movie has a making of featurette after the movie, but yeah, I mean, it's still it's ridiculously long for a slasher movie. Because like, I mean, just imagine a two hour and 15 minute long Nightmare on Elm Street or Friday, the 13th
James Jay Edwards:slashers are supposed to be 80 minutes long. ADT 90
Jacob Davidson:tops. But yeah, no. And so it did kind of break the mold on that, but it worked for for the most part. Right, because, you know, it is very compelling. Although, it probably could have been a little bit shorter. But overall, though, it was an improvement over the first because, you know, like, there's a lot of good characterization like there was some good characters to kind of throw off of Art where Art the Clown of course, being kind of the star of the show still and having some insane and over the top kills like that were entirely or almost entirely practical effects. Yeah, so they definitely remember and that was the mark marketing tour to to because that you hear all these news reports about people vomiting and fainting and like losing it over Terrifier 2 and that's got to be what helped it's access because, like, it was like a $250,000 budget and it's currently at I think, like$8 million at the box office. It's It's insane.
James Jay Edwards:There are Christian news sites that are calling it a box office bomb. It'll say bomb, Terrifier or making people throw. It's like, I mean, box office bomb. If you compare it to Top Gun Maverick. Yeah. But if you compare revenue to cost, it's a huge hit. Well,
Jonathan Correia:even if you factor in typically you'll spend like the same budget on marketing. So if they even did spend another 250,000 on marketing, I'd first of all, I I believe most of the marketing is just word of mouth.
James Jay Edwards:Yeah, it's viral.
Jonathan Correia:said yeah. And I mean, it's true. That's, that's 500,000 When you make 8 million, like, that's some good profit margin. So like, and
James Jay Edwards:let's say it was made from the dudes over it wasn't it made from the dudes over Dread Central? I mean, bloodied? I think it was bloody Bloody Disgusting. Okay, I think the first one they produced
Jacob Davidson:it in part at least. And yeah, it's like screen box Scream Box. I forgot to put it out.
James Jay Edwards:Yeah, so I mean, it's this isn't a frickin Blumhouse production. This is you know, these are dudes that we probably met and hung out with I made this movie so yeah, it's
Jonathan Correia:and it's on Scream Box now too.
James Jay Edwards:Yeah, it is.
Jonathan Correia:If you haven't noticed the stream, if you want to keep your puke you're puking
James Jay Edwards:to stay close to your bucket
Jonathan Correia:on Scream Box which I which first of all I just want to say there's we're living in a world which is great. We now have Shudder we have Scream Box. There's a few others and they're all like five bucks a month too. And then you got Tubi for free for the deep cuts like
James Jay Edwards:AMD actually to be this brings. I'm going to do some some quick cuts right now just because it's stuff that I even that I just caught up with or interested me. And the first one it's go. I saw on Tubi. It's this movie caught
from 2015 called Be my Cat:A Film for Anne have you guys heard about this?
Jonathan Correia:I have heard about it. You know, it's the Murmurs from the Morgue girls brought this movie up a few times. Yeah, it's
James Jay Edwards:up their alley. Yeah, it's, it's, it's basically it's like a found footage movie. It's about this amateur filmmaker who is obsessed with Anne Hathaway as Catwoman in The Dark Knight Rises. So he gets all these actresses and he says he's making a movie. But he ends up just like torturing and killing these actresses. It's um, it's pretty disturbing. I mean, it really there's one actress who, who shows up and she kind of looks like Anne Hathaway. But she's a little heavier. And he says something to her. He's like, Ah, you put on some weight, blah, blah, you know, well, he finds a way to make her lose weight, let's say. It's a pretty disturbing movie. But anyway, yeah, that's and that's on Tubi. Also, there's this movie I saw on Vudu, it was cheap. So I thought it was enough of an experiment that I wanted to check it out called The Pandemic Anthology, which is exactly what it sounds someone put out a call for short films made during the pandemic. And they're a hit or miss. Most of them are from South America. A lot of them are from Brazil. But they range from complete amateur you know, productions to pretty slick movies. And they're hit or miss like any anthology but it's an interesting enough I think there's 13 and total in it. And I think it's, it may only be like 80 minutes. So like, like every, each one of these is only like five or six minutes. So you know, even if one sucks, you don't wait long for the next one that come along. But also a few things that I that I don't want to spend a whole lot of time on just because we've already talked about him, but I caught up with them first Crimes of the future. I'm a huge Cronenberg fan, and this did not disappoint me it scratched that itch. Yeah, I was expecting something different. I think I think it was Jacob that said that his very eXistenz. And it very much is I wasn't expecting it to be as existential as it was. But yeah, it's yeah, if you're a Cronenberg fan cries it he's harkening back to classic Cronenberg, he's not he's he's leaning away from the Eastern Promises History of Violence, Cronenberg, so it's it's kind of cool, which I'm here for. Yeah. Oh, yeah, absolutely. I also soft Fall. Which I have to say everything Korea said about it was 100% Correct. And there's one more thing, which without giving it away, there is a twist in it. That is exactly the same as a twist from from a movie a couple years ago. That was not a horror movie. Yeah. And and it was done better in the non horror.
Jonathan Correia:You know, I actually got I actually got mad about Fall again recently because because the whole stupid plotline with the boyfriend and how he can't say I love you, so he says 143 instead. Yeah, that's a Mr. Rogers thing. Mr. Rogers? Loved the fact that his weight was always 143 he always said my weight is 143 which stands for I love you because you know, I love you right? And they fucking took that and they made it something dirty and douchey and I think out of everything that Fall did that is the thing that upsets me the most. I got I got I just thought of it randomly while driving the other day and I was just like,
James Jay Edwards:god dammit. So and one more that I caught up with Glorious it that is what a crazy movie. It is. Yeah, that's another one of those just like
Jonathan Correia:it packed a lot and it short runtime like respect. And it's
James Jay Edwards:so funny because like, the glory hole aspect that you expect, at some point the monsters like what are you doing? That he's like, this isn't that.
Jonathan Correia:Whoa, like, why are you I didn't ask for that. So good. Yeah,
James Jay Edwards:that was good. So anyway, yeah, those are the Quick, quick cuts.
Jonathan Correia:Well, actually speaking of Rebecca McKendree, who wrote and directed Glorious Of course, she co wrote the most recent Bring It On movie called Bring It On: Cheer or Die, which I was way too hyped for
James Jay Edwards:Oh, that's right up her alley too if you know anything about her if you listen to Shockwaves or Killer POV or anything, you know, this this is a project made for her.
Jonathan Correia:And, and I have to say like I first of all as someone who has watched most of the Bring It On movies I stopped before cheer smack our hashtag cheers were was it cheer worldwide? Hashtag cheer smack after the one with Rihanna, like I didn't need to see any more, but cheer or die. My it, it suffered from budget. That's 100% It looked and felt like a sci fi original movie.
James Jay Edwards:Well, wasn't it? I mean, it was an original like it was. Was it Hulu? It was an original for some streaming platform.
Jonathan Correia:Yeah, I think I think it was like, something like that. I don't know about a streaming platform. I think it was for SyFy or something. But yeah, I had that very, like 2000s Made for TV. Young Adult feel to it. Surprisingly, the cheer wasn't really there. And neither was the horror, which was a bit you know, disappointing. But I there was some really fun moments. There were some really great character moments like they because they bail. It's basically these cheerleaders go to an old abandoned school, where there was a cheer accident. So their cheer squads not allowed to do stunts, so they're stay stuck because they can't do cool stunts. They just have to do the regular pom poms and stuff. And so they go to the old school where the terrible accident happened to a cheerleader was the cause of it to do a 24 hour cheer sesh to get ready for regionals and they get picked off one by one by a mysterious killer dressed up as Diablo their school mascot
James Jay Edwards:and and their mascots a devil.
Jonathan Correia:Yeah. Yeah. And there's some there's some really fun moments like, just with the dialogue mostly. Like, man, there's one where like, this one guy is like really hyped to get with this girl and in like, one of the Cheerleaders like, No, dude, she's a virgin. He's like, but she texted me Tacos. Tacos, man. And she's like, Yeah, because she likes tacos. Not not it wasn't a youth that ism or like a metaphor for anything. It's just like, tacos. You know? And there was some you know, but like, and of course, you know, when you know, the killers reveal themselves there's a big fight scene and the cheerleaders use their cheers to fight which was really great. It but if you're a fan of the Bring It On franchise, especially like the straight to video ones. It's, it's fun. It's fun in there. The horror is a little you know, made for TV not as like, gory or anything that you would want and like it is a little bit paint by numbers slasher, but honestly, I had a lot of fun with it. So if you catch it on something for free, why not? Why not?
Jacob Davidson:Yeah Check it out. And I saw an interesting movie on the festival circuit. I only went to one movie at Screamfest and, well, technically two. Okay, so I saw this one called The Once and Future Smash directed by Sofia Coppola and Michael J. Epstein. And it's basically a mockumentary about this fictional slasher franchise called Endzone and and it's basically a football theme slasher from 1970 with a like, broken jawed football player cannibal named Smash Mouth and the mockumentary is set in modern times. And it's about these two older actors who both played the killer and are both vying for the role of the killer again, in modern times as a part of a reboot of the franchise. So it's a very funny and kind of biting satire on like horror franchises, and horror conventions and kind of the fandom and all that stuff, but it's got a lot of heart and feels very affectionate. So it was basically like the horror equivalent of a Christopher Guest movie, so I thought it was really funny. And when they played it there, yeah, they actually played Endzone 2 the last slasher movie. And it just played up as kind of like a poor, you know, like a slasher parody. And it looked vintage. And it was just kind of funny seeing them back to back like then,
James Jay Edwards:was it a full length movie? Or was it a short End zone 2?
Jacob Davidson:End Zone two was only an hour long, so
James Jay Edwards:that's still longer than I thought it would be for a
Jacob Davidson:while now. Basically a full movie. Yeah, so it's a good double feature seeing them back to back like that. And I just find it very inventive and hope it gets widespread release soon because you know, it's definitely the type of horror movie for horror fans.
James Jay Edwards:All you listeners may have noticed we've been dancing sent around something because we wanted to end with it. But we also Halloween Ends, and you all probably have as well.
Jonathan Correia:Don't worry if you haven't we're not gonna get super spoilery
James Jay Edwards:No. And it definitely, it definitely is something that can be spoiled because here's the deal with Halloween as you've probably heard, it's very polarizing. It's not the Halloween movie that you probably expected. And here's the thing about Halloween movie. The Halloween movies fan base. They if Season of the Witch and the Rob Zombie movies have told us anything. It's that they don't embrace change very well, at all the fans. Yeah. And Halloween Ends is change. It takes things in a different direction. I thought it was pretty refreshing actually. Of course, there are plot holes. But you know, like we've said in the past, where did a podcast to get $3,000 for an interview? Halloween is built on plot holes
Jonathan Correia:who taught him to drive?
James Jay Edwards:Yeah, totally. He was doing very well last night. Yeah, yeah. Right from the first episode or from the first entry people were doing. Yeah. I enjoyed it. I thought it was. Like I said, I thought it was a refreshing change there. Definitely. I can understand people's outrage, but only because they were outraged by you know, these are the same people who were I mean, not to spoil anything that people have probably already seen. He's the same people were outraged by Friday the 13th part five, you know, new.
Jonathan Correia:I think that's an unfair comparison. Because first of all, I love the new trilogy. Aye. Aye. Aye. I think it's more in line with what John Carpenter and Deborah Hill wanted from the franchise, which is about the effects of pure evil unleashed on an unsuspecting town. And I think that that vision quickly got lost with Halloween 2, as much as I have fun with and love Halloween too. i It's I never saw it as like a part of their original vision for what they wanted for the franchise and Season of the Witch kind of tried to bring that back to it of just unrelenting evil being unleashed. And I really love what this new franchise was doing about trauma and about evil and like the effects on the on the town and I saw it on TicTok so when made a really good critique of people who hated Kills and Ends especially aren't fans of hollow of Deborah Hill and John Carpenter's Halloween, their Michael Myers fans. Yeah, and they were upset that the focus isn't on Michael Myers, even though he has more screen time than he did in the original Halloween. So Fuck all of you on that front. Also, we got like the ultimate like, Michael Mike, Mike Myers just going fucking nuts on people in Kills. So like, he needed he needed that time to take a break, man, he
James Jay Edwards:was the focus on inn kills. Yeah.
Jonathan Correia:Oh, dude he had all the kills!
James Jay Edwards:Kills as my least favorite of the new trilogy? You know, I think I discussed my issues with it. So you know, I won't go into him here. But um, he he is he is the focus of kills in ens. The focus does shift and you know, we're tiptoeing around it.
Jonathan Correia:But again, does it shift though, because the focus is still the effects of the town and basically, without getting too spoilery ends is about the town essentially creating Michael Myers, again, a new Michael Myers and that evil continuing and I you know, I loved everything about it the bisexual energy of the relationship with Michael and what's his name?
James Jay Edwards:Cory. Cory,
Jonathan Correia:I loved Laurie like looking at the eyes and immediately just being like, fuck. But another thing I really love was just seeing Laurie and her granddaughter living their lives like that, that you get to see Laurie kind of revert back to a teenager because she never had that she never got to be 18 She never got to experience she was always in the you know, bunker down bug out mode. And so here she is 40 years after this traumatic event, kind of being a teenager kind of having like a crush and being being shy like wearing dresses, just like living her life. And I love that
James Jay Edwards:the crush that you bring up. That was kind of one of my problems. When I first saw it, I'm like, Oh, why do we need this? But then when you think about it, and you're like, oh, you know what? She never had that. You know, clearly she got married and had a kid and all but she was always that Sarah Connor you know looking over her shoulder character so you're right it was good to see her just a little at least for you know until her hair down a bit. Yeah, until shit hits the fan. It was good to see her are a little relaxed and you know you're not looking over her shoulder she's she's living in a house that doesn't have bars on the windows and a basement that you know a basement bunker
Jonathan Correia:that and of course you know because we saw it in the trailer so the final fight I thought was was great because they established like this might go this Michael Myers is in rough shape he's been he got the shit beaten out of him and has
Jacob Davidson:he's old
Jonathan Correia:been living in a sewer for four I love sewer Michael model. I love sewer Michael
Jacob Davidson:C.H.U.D. Michael.
James Jay Edwards:Totally he is all he's gotta be like in his 60s by
Jacob Davidson:No, he's gonna be like his 70s and I I love I love the petition to reshoot Halloween Ends it's like
Jonathan Correia:that they they basically showed like, no, he's still like has that strength but he's not he's not fucking Jason Vorhees he's not some like undying supernatural force. Like he he'll have like little spurts. But at this point, like, he's probably got arthritis, he's, you know, he didn't go to the hospital after so he just, you know, he's still struggling from all his wounds from four years prior. And, you know, it's I thought that was done really well. I liked how they did the whole like thing at the end where it was kind of like a cathartic thing for the town. But like, you see it throughout the movie, everyone's just kind of projecting their trauma onto each other, whether it's Cory or Laurie, you know, Cory Laurie, or the granddaughter like, you just have all these moments of it. And I like don't get me wrong. The David Gordon Green trilogy is not perfect. There's, you know, again, where do you get $3,000 for a podcast? But you know, there's a lot of stuff that is that doesn't, that might not work entirely, but the fact that they went for it, the fact that they did it, I think was awesome. And you know, I don't think Carpenter would have, like, obviously Carpenter has said in the past that he is happy when other people remake his stuff, because he gets a check you know, he's always stoked about that. But he's, he has he wasn't that involved with any of the others. You know, with this one, he's much more involved. He made the music he produced them. I don't think he would have been that involved if they weren't doing something that wasn't something that he was excited about, you know, and, you know, I understand there's a lot of people you know, that are coming out and a lot of them are horrible takes I will not have a quote discussion with anyone who just goes it's an abomination. It's the worst thing to happen to humanity. And then that's all they have to say like that's that's not an argument that's just a reaction. Fuck off
James Jay Edwards:I don't care how many signatures that gets, it's not gonna nothing is going to make them rich, you
Jonathan Correia:know, and here's the thing to this might be the end of this storyline, the storyline that they that they started in 2018 It's the end of this is that doesn't mean that they won't make another Halloween movie years from now or you can own it makes money. And we saw before with the backlash of three and then we got four and five, you know, as a reaction to that, you know, the series has always been really good about like, coming back and giving given kind of like what the fans complained about prior and whether it was like six went to off the rails so let's bring Laurie back and do h2o. Resurrection, was even Resurrection took risks.
Jacob Davidson:Oh, yeah,
Jonathan Correia:it didn't land well at all.
James Jay Edwards:Well, resurrection was trying to be it's funny because we're talking about VHS 99 Earlier, resurrection was trying to capitalize on like, big brother, you know that the reality TV? Oh, yeah, it was it was trying to capitalize
Jacob Davidson:danger. tainment
James Jay Edwards:Yeah. And what was going on at the time? And yeah, it didn't always. I mean, it was an interesting idea. But yeah, it didn't, it didn't quite stick the landing. Yeah. And
Jacob Davidson:after that, you know, I actually do appreciate the David Gordon Green trilogy for giving the Laurie Michael storyline perhaps the best conclusion in the franchise since the beginning. Because, yeah, no, just like the Yeah, the Resurrection stuff really didn't work and on that front, and that's not even going into the thorn timeline movies with like four or five and six like that. Yeah, that was bad. I
Jonathan Correia:personally would like to not go into those. Oh, yeah.
Jacob Davidson:I am not a droids.
Jonathan Correia:I think it's known I'm not a fan of four through six.
Jacob Davidson:Yeah. Which which is the thing you know, just that to two points, you know, just that yeah, that I feel like there was a lot of respect for the Laurie Michael storyline with this trilogy. And I feel like it gave the best conclusion of anything in the franchise. And to is that you know, like of course people are mad because you know, like it you know, it's been the curse of the franchise is that Michael Myers has been the focus because like carpenter didn't even want to do Halloween 2 and when he did do he tried to kill Michael off as best he could, which is why blows him up, but, and which is why, you know, just keeps on happening because then even with Halloween 4 you know, Jamie Lloyd Daniel Harris was going to be the new shape because like she, you know, she, like stabbed somebody and fans didn't like that they wanted more Michael, you know, it's just the you could end you could hook like any movie in the franchise was just but they wanted more Michael they were going to do this but they wanted more Michael, you know is this Michael Michael Michael?
Jonathan Correia:And I think and I think that's where that argument I saw the tick tock of Halloween fans versus Michael Meyer fans comes into play because you're right, that is the case. And one of the things I really respect about this new trilogy is as much as it focuses on Laurie and Michael you see it more so in Kills that Laurie was kind of never the focus for Michael, it was always him just going back to the house. And that's why spoiler if you haven't seen Kills, he kills Lori's daughter and not Lord because she's the one that's in the house when he when he finally gets there, you know, and she's in the room so it kind of makes it makes total sense that even in Ends Laurie is not the focus for Michael it's getting back to the house and just murdering whoever the fuck is in there. And, you know, and yeah, that final fight scene was brutal.
James Jay Edwards:In the David Gordon Green trilogy. She's not his sister. Which is Which is also why it's more the house than it is Laurie.
Jonathan Correia:Thank fuck i that I'm
Jacob Davidson:even a Carpenter does didn't like
James Jay Edwards:Yeah, yeah, that that was pulling a rabbit out of a hat.
Jonathan Correia:You know, I I'm not I was I was never against the family. Again, as much as I say, I'm not a fan of four through six and all that like, um, I don't hate those movies. I don't hate that storyline. I'm just glad that they didn't, that they left it out. You know, like, I'm glad that it was like, Alright, we're gonna stick to what the first one did. And let that and that's the cool thing about the Halloween movies is there's so many timelines. Oh, you don't like this one. You want more? Trailer trailer trash like, punk? You know, rock? Halloween, watch the Zombie movies. You want more like mythical druid? Shit. Watch one through six. You know, you want more like, final woman storyline? You watch it? You know, one, two and h2o. You know, and like, I think I always thought that was really cool. Or you want something completely fucking different and macbre watch three. You know? There's there's so much to choose from. And you would think that people would be more understanding of like, there's something for and there's a different flavor for everyone to the Halloween movies. But still, man do they react? Very, very venomous when it's not exactly what they pictured. The
Jacob Davidson:change is scary to horror fans.
Jonathan Correia:I think that's one of the worst things about the internet is that oh, yeah, the toxic fandom is giving more voice.
James Jay Edwards:Let's close up this discussion of Halloween ends and the podcast with another thing I saw. I think it was on TicTok as well. What does Michael Myers do for the rest of the year? He hangs out in a sewer. He hangs out in new sewer until Halloween and how does he know when it's Halloween? Is it the chill in the air? Is it the decorations going up on the street? I think so.
Jacob Davidson:I mean, there are visual indicators so he could work off of that or it says he has a spider sense for Halloween.
James Jay Edwards:That's what I wanted to dig it he has he has the Michael tingles. And for Well, it can't be the Peter tingles. He's not Peter.
Jonathan Correia:And I and I did say this on Twitter because it's been alluded to a few times I want a hobo Michael Myers movie I want I want Michael Myers just like hanging out in a sewer with a with his mask on. Just sitting there waiting. And like befriending a dog or something. Or wait No, he doesn't like dogs so
Jacob Davidson:he ate that dog
Jonathan Correia:Yeah, he didn't like but like, you know Rob Zombie's Halloween too had a hobo Michael you know ends hasn't hobo Michael and like it's alluded in the other ones that like, you know, he's lurking around somewhere. Like, I think there could be some like interesting stuff with especially like that relationship he had with the other hobo as like, what was their dynamic?
James Jay Edwards:Yeah, that was kind of weird for Yeah, Michael, who usually kills anyone who he crosses. Except for Cory. Yeah, isn't there must have been some symbiotic thing happening with that hobo that make him want to
Jonathan Correia:smear him. See that spin off?
James Jay Edwards:That sounds more like a sitcom than a horror movie.
Jonathan Correia: Halloween:The Hobo Years?
Jacob Davidson:Do I call vs hobo with a shotgun?
Jonathan Correia:A Funny Thing Happened on the Way to Halloween ends.
James Jay Edwards:Alright, let's Let's kill it then. Let's kill her.
Jacob Davidson:Let's do a podcast ends tonight.
James Jay Edwards:Yeah. Let's kill it with that. So what what did you think of Halloween Ends? Where do you think of everything else we have discussed? And, you know, this was kind of a different little thing. So I hope that you like hearing the three of us just bullshit because that's what we did. To the Our music is by Restless Spirits, so give them a listen. And our artwork is by Chris Fisher. So give him a like, you can find us on any of the socials as Eye On Horror or at ihorror.com, which is the site we all call home. And let us know what you think of our opinions on any of these movies. Or if you saw something that we missed, let us know what you think about Halloween. So I'm really curious to see because it's real polarizing, it seems like people either hate or love. I'm closer to the love. I don't know if I don't think it's as good as Halloween, but I think it's better than kills. So let us know what you think. And we'll see you hopefully in two weeks unless we take another unplanned break. But hopefully we'll try and keep on it because we're we're getting up to 100. And we that's going to be a celebration. I don't know what we'll do. But I'm declaring right now it's going to be a celebration. So yeah, we'll see you in a couple of weeks. So for me, James Jay Edwards.
Jacob Davidson:I'm Jacob Davison,
Jonathan Correia:and I'm Jonathan Correia.
James Jay Edwards:Keep your Eye On Horror.