Eye On Horror
Eye On Horror
The X-tra Long Catch Up Episode
Use Left/Right to seek, Home/End to jump to start or end. Hold shift to jump forward or backward.
After an unplanned hiatus, the boys catch up on everything from Morbius to Everything Everywhere All at Once to The Razzies and Bruce Willis, with a special emphasis on Ti West's X, its retro-aesthetic, other movies with retro-aesthetics, and A WHOLE BUNCH MORE! We cover so much, its 5 minutes longer than our average episode!!!!
https://linktr.ee/EyeOnHorror
Follow us on the socials: @EyeOnHorror or check out https://linktr.ee/EyeOnHorror
Get more horror movie news at: https://ihorror.com
Welcome to Eye On Horror, the official podcast of iHorror.com. This is episode 83. Otherwise known as season five, Episode Five. I am your host James Jay Edwards. And with me as always is your other host, Jacob Davison, how you doing Jacob?
Jacob Davidson:Doing good, just kind of recovering from a midnight show.
James Jay Edwards:We're recording this on a Sunday morning. And Jacob was out late last night so he's I think we're all a little rough though. Also with us yet again is your other other host Jon Correia. How you doing Correia?
Jonathan Correia:Oh, to be young and going out to midnight showings. I got sleepies after my like 5:30 screening last night.
James Jay Edwards:I got sleepy after binging a Netflix series while putting together a puzzle and eating Domino's pizza last night, so
Jonathan Correia:Ooh, that sounds like the dream. That sounds like
James Jay Edwards:it kind of was
Jonathan Correia:that that sounds like that sounds like the comfortable Saturday night.
James Jay Edwards:It was pretty sweet. I'm not gonna lie. It was i i enjoyed it. We we took a little bit of a an unplanned hiatus. That's why you haven't seen us in a while. And we haven't seen each other in a while. But we are back. What's been going on you guys?
Jonathan Correia:day jobs.
James Jay Edwards:Yeah. Tell me about
Jacob Davidson:work, work work.
Jonathan Correia:Well. One of the things that I've been working on for almost a year now, but really ramped up these last couple of months is my company Sorcery Cinema. productions. It's a production company, we make stuff. We got our first few projects off the ground, including a pilot for a video game competition show called Even the Odds. We filmed it at the beginning of March and have been in post ever since. And now it's getting ready to premiere. So keep your eyes out. It premieres or earlier this week when this episode airs, premieres on April 6 on coin flix. And then, it'll be going to YouTube via Noah Grossman, who's the host of the show his YouTube page on the 13th and 20th. So we'll have two episodes out there. And if you like video games like competition shows any like goofiness. If you ever wanted to see what a pro video game player can do with oven mitts on while trying to play while trying to play like Street Fighter two or something. This is the show for you. We'll
James Jay Edwards:post links to where you can watch it when it gets closer. I'm actually I'm I'm guessing that we will because you generally do that for our social media and you're not going to let this go.
Jonathan Correia:A little bit of nepotism I guess is that is that the one thing for now?
James Jay Edwards:It's favoritism. I don't know one of the perks of having followers I guess. The last night when I was hanging out eating Domino's putting together a Beetlejuice puzzle. I've been into puzzles lately because it helps occupy my mind from other things. But um, what we were watching on Netflix, my wife put it on, and I was building the puzzle of time and then I kept like, kind of getting engrossed in it, but it is have you guys watched I'm gonna mess this title up The Woman in the House Across the Street from the Girl in the Window. Do you guys watch that?
Jacob Davidson:No, but I saw the trailer is absolutely
James Jay Edwards:batshit crazy. It is. First of all, you can tell by the title that it's not really a comedy, but it is It's a satire of that kind of, you know, kind of a thing. Basically, I don't want to spoil anything because it is there are twists and turns in every episode. There's eight episodes. But Kristen Bell plays a woman who's She's got her own psychological and emotional issues. And she lives in a house across the street from a house where she sees a murder. And then you know, it kind of goes from there. And you know, it's kind of a rear window kind of a thing but it's it is nuts and it's the funny thing is it was directed by the guy who did Heather's his name's escaping me right now. But um, and he's also worked a lot in TV on like American Horror Story and Screen Queens, I think. And he, it everybody involved with this from the cast down to the writers. They know exactly what they're making. It is just this. It's almost silly, but but it's not a comedy, but it's just the silly satire of these movies. And they go at it full speed and by the time you get to and I'm not gonna say anything more about it because it's a huge it's a huge twist that is like chef's kiss. But by the time we get to the beginning of the last episode, I mean, I was standing up cheering. I was like, Yes, this is brilliant. So yeah, The Woman in the House Across the Street from the Girl in the Window is what it's called. And it is. It's definitely every episode is only like 25 minutes long. So binging the whole thing is only like four hours. So you know, it's one Beetlejuice puzzle worth of time.
Jonathan Correia:Well, that's like, have you guys watched the show the after party on Apple TV?
Jacob Davidson:Not yet. Oh, man.
Jonathan Correia:It's so good. It's from Phil Lord and Chris Miller, who did like you know, 21 Jump Street movies, the Lego movies The Lego Movie? Yeah. But yeah. So The Afterparty, on Apple TV, it's a murder mystery. It's very in, in this in the world of Clue, the movie where it takes place after a high school reunion, and everyone goes to the House who because one of the classmates became a successful singer, kind of like Justin Bieber, and he's played by Dave Franco. And he gets murdered at the after party, or was he you know, he gets all you know, as he falls off a balcony, so they try to figure out who the murderer is, in each episode follows this, the alibis telling story of each character, and each episodes done a different style. So there's one where it's Ben Schwartz, from Parks and Rec, his episode is a musical. They had one where it's animated, they had one where it's like an action, you know, Die Hard type, you know, editing style, but, and it's all telling the same events of that night of what led to the murder. And they genuinely did a really good job of like, having the reveal be left field and be like, okay, they did it without, like, you know, being like, Oh, you fuckers, you changed some facts in there. And you know what I mean? Like, it was really good. And it's super funny. It's got Tiffany Haddish it's, it's a super stacked cast and
James Jay Edwards:woman across the street, you know, you know, whatever, that the woman, we'll call it. It. I don't know that it actually changes facts, but it's, by the time it gets to the reveal. It's real heavy on spoken, you know, and this is how I did this. And this is how I did this. And this, which kind of plays into the whole parody aspect of it anyway, but it is you just have to see it to believe it. And it's not it's a very watchable series. So it's not like you're sitting Oh, God, I got an eight hour long episode. You know, I mean, it's a so
Jonathan Correia:so we're living in the golden age of murder mystery series. At least, yeah,
James Jay Edwards:I another thing that I saw, and I think I took the bullet for the three of us. I saw Morbius. And, actually, I liked it. It is a better vampire movie than it is a superhero movie. I think they're Miss marketing it as you know, a Marvel movie. It's in the Marvel Universe, the Sony Marvel Universe, which is, you know, with all the different Spider Man universes and Venom, but it's, it's written by the guys who did Dracula Untold, and The Last Witch Hunter. So that kind of tells you the kind of movie you're getting? The the action scenes are all real matrix. See, the visual effects are really cool, because there'll be like, basically, Jared Leto plays Dr. Morbius, who has a blood disease, and he figures out a cure for it that involves fusing that DNA with human DNA.
Jonathan Correia:Does that always go so well
James Jay Edwards:I was gonna say what could possibly go wrong. So he becomes this vampire type of a thing. And when he's turned into the vampire, basically, he has to keep drinking blood, or he just got result reverts back to the way he was with the blood disease. And when he turns into a vampire, it's weird because they're like, like, he'll it'll be like Jared Leto his face and all sudden, he'll kind of like Look here toward the camera, and then all sudden, you'll see the things grow real quick, and then go away. Like the visual effects are really slick and you're like, Whoa, did I just see that? I mean, it's really kind of cool. But um, I mean, it's, it's not much it's an origin story. And the thing is if there are two mid credit scenes, and do not read a cast list if you don't want the mid credit scene spoiled because the mid credit scenes are spoiled by the second listed actor in the list is only in post credit scene so don't look at IMDb
Jonathan Correia:well and they show it in the trailer they spoil it in the trailers you
James Jay Edwards:say I don't I don't watch Okay, well then well that bad Shame on you, Sony.
Jonathan Correia:I did read I did read about the after credits. Like I was like, really? They put that in the trailer. Come
James Jay Edwards:on. It's a Yeah, that's weak and I didn't see the trailer. I didn't watch the trailer.
Jonathan Correia:I'm very confused on what Sony is doing with their Spider Man universe of things because I get it. They're like, Oh, we're doing a bunch of like, villain centered movies cuz we can't really do Spider Man while we loaned them out to Marvel but like, not every day like I get it Venom, you know kind of does become a bit of an antihero later in the comics and Morbius very much though is a tragic trying to be a hero thing. He is
James Jay Edwards:the hero of this movie because there's there's another foe that comes up, you know to battle so he is same powers probably exactly the same power you're now now you're starting to spoil it
Jonathan Correia:well, that's just the formula
Jacob Davidson:that's very cliche you need.
Jonathan Correia:It's It's the it's the Iron Man formula, it's the, you know, oh wait, he has a suit wold, who says first Villa gonna be it's gonna be someone with a bigger suit, you know? And that's or Oh, you have a Venom? What's his? What's his villain going to be? It's a bigger Venom, you know, it's just, it's just the formula. And that's, that's what's so confusing. It's like, Wait, so where are you going with this because I get Morbius he's he is trying to be a hero, but he's a very tragic figure. Also just want to bring up 90s Spider Man animated series to avoid him biting people in the next they had like, like, suction cup things on his hands. And that's how he would he would put his hand on people. And that's how he would draw the boat, but it looked like a bunch of buttholes on his hand. So I That's my question. Do we get the hand buttholes?
James Jay Edwards:No, no hands buttholes
Jonathan Correia:But the I don't want to see this movie. I
James Jay Edwards:most of the blood he drinks that they show don't want to is out of bags, or it's artificial blood. You know, it's like he'll he'll go to like, because he had this blood disease that where he had to have transfusions, like every few hours. So he has a room full of both artificial and genuine blood, which he invented the artificial blood. The science in this is freaking laughable. This is like The Core level science in this. But he'll go in there and he'll like rip open a bag and drink it and then you know, that is what and he keeps track of how long? It's okay. It's getting shorter. It used to be six hours. Now it's four, you know, so he he knows that he's got to figure something out. So it's a ticking clock movie too. But yeah. I enjoyed it more than most people are ripping into it. And I think that, you know, approaching it, not knowing anything about Morbius the comic book, just approaching it as you know, just like a vampire movie. I thought it was fun. I mean, I kind of enjoyed it. Not kind of I did enjoy it.
Jonathan Correia:Yeah, well see how much steam this extended Spider Man verse because they got craving the hunter movie coming and they got a madam Web.
Jacob Davidson:Yeah, they're just milking as much of their copyright as they can. Which
Jonathan Correia:which I get but like, it's just like, it's like my issues with with music biopic, it's like, okay, you're gonna take these very interesting people and then just stick them into this formula. That doesn't apply to every every character, every person, you know, like, it's like, and I get it, you're trying to do the safe bet thing with like, the formula and all that but like, just, I don't know, I I'm not excited for more because I will catch it later. Just because you know, I am curious as to what they do. But also like, I don't care for Jared Leto. He was great in House of Gucci though. I will give him that he was
James Jay Edwards:he's not in a fat suit in this war going.
Jonathan Correia:Dude, House of Gucci was amazing. And I will fight everybody on that. Yeah. Speaking of
James Jay Edwards:stuff that is in trailers, that's not in the movie. They had a sale on Vudu for the Paranormal Activity movies. And I already own them all. But of the six movies four of the ones in this bundle were extended cuts which I didn't own so I'm like, oh, you know I'm pulling the trigger. And the first thing I did was watch number three because that's my favorite the extended cut. Three is one of those movies where not a shot from the trailer is in the actual movie. It is in the extended cut. And it's is awesome to do a like like the the first trailer that came out for paranormal activity three was the two girls playing Bloody Mary, you know, just spacey one camera then playing Bloody Mary and it is a little different it's creepier in the trailer. But that that scene is in it there's a scene where she jumps from the top of the of the of the like this loft and then walks up the stairs you know that that's just all the stuff that is in the trailer that they cut from that they probably cut it from the movie after they made the trailer but it's in the extended cut which is actually pretty cool.
Jonathan Correia:Which I love that tactic I know it's it's it's not always there's there's good examples of using footage that's not in the movie and then there's really bad ones I think you know like doing stuff like I always bring it up The Shining trailer or the Back to the Future teaser trailers where it's all new footage or extended footage you know from and it doesn't really show much Hitchcock with Psycho trailer I just watched 78/52 and like it just brought back great memories of watching that trailer for the first Jason takes Manhattan is
James Jay Edwards:the best trailer
Jacob Davidson:And of course Leatherface The Texas Chainsaw Massacre. Yeah, that's the other
Jonathan Correia:one. But you know who was who did us dirty was the trailer for Predators. Remember how awesome that trailer for Predators was? and ends on that shot of Adrian Brody? Like, same thing. You see the three lasers on his forehead and then all sudden, two as more come up tu tu tu tu tu tu tu and you're like, oh shit, there's gonna be a fuckload of Predators in this and Adrian Brown is gonna get fucked up. And then you watch the movie, and it's just a one and it was like,
Jacob Davidson:oh, UT.
James Jay Edwards:You know who else did his dirty Rogue One, because the trailer has this awesome shot where Jin is running, like after having the plans and all sudden a TIE Fighter appears at the end of the pathway. She's running out and you're like, Oh, this is gonna be awesome. This could be it's not in the frickin movie.
Jonathan Correia:Well, that one went through like some pretty crazy reshoots. Like that whole the whole last act with Vader was not in the original cut from what I read. So yeah, they switch that around.
James Jay Edwards:Yeah, but that last that that last cut that leads into A New Hope is actually pretty awesome.
Jonathan Correia:Rogue one is still my favorite of the Disney Star Wars.
James Jay Edwards:I want to see what happens with that TIE Fighter blocking her path. Yeah,
Jacob Davidson:I know. And speaking of edits, I saw something very interesting recently. Adam Rifkin and Josh Olson were doing a surprise screening at the lows field was theater, and nobody knew what it was going in. And it turned out to be this little personal project they were doing. Are you guys familiar with the Airport film franchise? Yes. Yeah, you know, it's like, back in the 70s. They made all these disaster movies revolving around airplanes, and it was it was called airport and they made for them. And then the franchise's was killed when Airplane! came out, satirizing them and kind of destroyed the disaster franchises are a genre at the time. So Adam Rifkin, Josh Olson edited all four airport movies together into one movie called
James Jay Edwards:Airports, Airports, Airports,
Jacob Davidson:Airports, you know, it's like how James Cameron turned to alien to aliens when he wrote that dollar sign and instead of an S on Aliens,
James Jay Edwards:how long is this? This mix this smashup? It's an hour and a half. I want to Okay, so it's it's shorter than now most of the airport movies. So you see George Kennedy go from mechanic to pilot over the course of 90 minutes.
Jacob Davidson:Pretty much yeah. Although I think it's like in the context of the edits like their twin brothers, because they edited it around so like, there's all this silly stuff like Linda Blair turns into Reagan from The Exorcist. And Karen Black is possessed by the Zuni fetish doll and in some scenes, and there's edits of like, I don't know, explosions and weird and weird stuff. It's it's really ridiculous. By the
James Jay Edwards:time you get to airport 79 It's kind of it's kind of ridiculous anyway, because I remember there's one scene or entity. Yeah, the Concorde. George Kennedy's flying this Concorde because he's a pilot by now. Yeah. And there's a missile heading toward it a heat seeking missile so he rolls down the window of the Concorde mid flight to shoot a flare gun to get this heat seeking. So that's that's not how any of this works.
Jonathan Correia:No, like
Jacob Davidson:look, that's it's science. You know, the Conchords have rolled Windows, you can just roll down in case you got to shoot a flare to distract the mist.
James Jay Edwards:It'd be dangerous if it didn't under those circumstances.
Jonathan Correia:I have never watched an airport movie but I did just get the collection on Blu ray off of Gru for like 10 bucks. So I was so excited to finally watch these movies. I know Jack Lemmon isn't at least one of them. Yeah, no, that's
Jacob Davidson:the thing these movies are so ridiculously star studded like they you know, they're just so many recognizable people in this edit. Like it's basically if you know the the edits, it's just all big name actors. A lot of big name actors in one movie, like the credits just go on and on and on with like, how many people are you know, you got Christopher Lee Jerry Stiller. Karen Black Linda Blair, George Kennedy, of course four times for George Kennedy's Ford, which of course is better than one George Kennedy.
Jonathan Correia:Yeah, it's the love bow of airport disaster movie. Exactly.
James Jay Edwards:Were these TV movies or were they theatrical? Theatrical. Wow, these
Jonathan Correia:were a major deal. And one of my favorite things about airport movies is the titles because they don't even go it's airport to its airports or you know, its airport, then it's like airport 77 Airport. 78 airports. It's just it like, it's like they knew like, oh shit. We're gonna keep pumping these out forever. And then like 79 They were like, Okay, we're
Jacob Davidson:done. Yeah, airplane killed it.
James Jay Edwards:Where do you go from rolling down the window of a Concorde.
Jonathan Correia:But fun. No, no. airplane was like the story and stuff is not based on the airport movies. It's based off of like a 19 foot 50s like B movie that the suckers were absolutely obsessed with and that's the main movie they were Perry eating
James Jay Edwards:airplane actually did take it past the Concorde because Airplane! 2 they went to space there's
Jacob Davidson:Oh yeah. Oh yeah there was Airplane 2 but ya know airports though was was really funny and you know it was a apparently was a project Rifkin and Olson were doing during lockdown. So I really hope that it somehow manages to get some kind of public release because it is funny as hell.
Jonathan Correia:The movie that airplane shot the nearly shot for shot remade was 1957 Zero Hour. And apparently it was like a very serious movie it like flew under the radar. Well, Surely it can't be serious that was that. Did you like my pun flew under the radar. But yeah, I've heard that a few times. Because everyone does think it's the airport movies are paradise and then like the suckers like No, have you heard of zero hour and everyone's like, no, like, that's why we were able to basically remake it shot for shot and using large parts of their screen.
James Jay Edwards:They were parroting the the trend, the airport trend because you know, right up to the exclamation point at the end or airplane, you know it.
Jonathan Correia:I have been traveling a lot. One of the reasons why we missed a week it was traveling for work and whatnot. So I haven't been able to watch a lot of movies. But I have been doing a lot of reading. I do that on airplanes because I can't watch on tiny screen sometimes. And I've been reading this really great book that's called the Book of Lilith, and it's by Barbara black Kotov. And it's all about the origins and evolution of Adam's first wife Lilith, and how she became like, she was originally like, the symbol and power of femininity, and, and, and was like a very important part of like the, or the Adam and Eve and all that stories, and how she through the years shifted from a part of that narrative to just Queen of the demons. And it's very interesting read on manipulation of story, mythology, but also just like, how Lilith was not just like, you know, because the origin of Eve is that she's a part of Adam and that God turns into women. So in that narrative, women are very much so an afterthought. It's a very misogynistic, you know, viewpoint, whereas Lilith was an equal to Adam. And basically, it was just like, I don't want this dude. And just like, fucks off, and it's great, because she's like, the empowerment of like, sexuality and femininity. And then like, just seeing how that narrative is twisted and changed until we get, you know, the Lilith we know, which is now which is Queen of the demons, you know, she was like a villain and supernatural, you know, because that's where like, the popular narrative is. So it's, it's very interesting. And it's a very for such small book. It's very dense read, very academic. So I highly recommend the book of Lilith if you want to see, dive more into like psychology of mythology and how that changes through the ages and really how the patriarchy upholds its stance through religion. It's interesting.
Jacob Davidson:It does sound like an interesting read. Yeah. Back to what I was saying earlier, I saw Jack shoulders The Hidden again last night, there was a midnight screening at the new bed. And man, that movie still holds up is so much fun. Because it is such a weird but fascinating kind of genre mashup is it's a buddy cop movie. It's an action movie. It's a horror movie. It's a sci fi movie. And he got caught in with Kyle McLachlan as a quirky FBI agent years before Twin Peaks.
Jonathan Correia:I was about to say that that fits his MO a bit. Doesn't
Jacob Davidson:it set the trend. And, ya know, there was a lot of applauding and you know, like, it's very much an audience movie. You know, it's very exciting. Just, you know, people lost it during, like, the scene in the jail where, like, out of nowhere Danny Trejo pops up.
Jonathan Correia:Yeah, cuz that was one of his early when he was still doing a lot of
Jacob Davidson:bad parts. Yeah. Yeah. And, and of course kugellager got applause basically whenever he popped up, as he should. Yeah, now he deserves it. But ya know, it's just such a fun movie too, because, you know, you got this, like, out of control like, like body hopping alien who doesn't really have like, grand plans for world domination or stuff. He's just you. He wants music, food, fat and fast cars. And he just and he will kill anybody who gets in his way. You know, and just as in his catchphrases, I want it. Like he just just takes whatever he wants and he tells people that he wants it. And if they don't let him have it, he kills him. So he's just pure it It basically and also I love though that it has a buddy cop backstory to it because like the the alien criminal killed Kyle McLachlan ins partner and wife and and child so like it's got that typical you know kind of buddy cop revenge type story but they're space aliens
James Jay Edwards:so it's Mad Max is what you say a
Jacob Davidson:little bit yeah I'd say board like kind of a Lethal Weapon in space type situation or sorry Lethal Weapon 2 in space
Jonathan Correia:now speaking of rewatches I want finally watched Judgment Night I know that was one that we talked about with Benji, what was it two years ago
James Jay Edwards:now something like that you waited way too long to watch that.
Jonathan Correia:I wish I watched it sooner because let me tell you you guys did not overhype that judgment night with Emilio estimates Cuba Gooding Jr. Stephen Dorff and Dennis Leary Man, what a ride that reminded me a lot of the warriors where it's just like a group of individuals in the chaos that is inner city and mad Denis Leary. I think Jay, you and I were talking about how Denis Leary is a bit of a OneNote you know type of actor but like, man, does it play hard and this he's a great villain. He's
James Jay Edwards:like a note is perfect instrument night. Yeah,
Jonathan Correia:he plays like a criminal kingpin. But they never tell him like what he does, like, is he into drugs is he and it doesn't matter. He's just he's just a kingpin. And like, there are some parts in it where he is just like an evil evil bastard. And then like, he turns around, he's like, listen, like like, he goes from like, murderers, psycho to just like, Alright, let's talk business. Because business at the end of the day is the art of, you know, psychos anyway, so it works out. But yeah, judgment I would that want to archive blu ray for it to it looks really good. It has like no features, but it looks phenomenal. So if you haven't watched judgment night, watch judgment night.
James Jay Edwards:Another thing that I saw, it's on Hulu, Deep Water, either you guys watch Deep Water. I heard about it. This is the movie that Ben Affleck and Ana de Armas met making like before the quarantine because they were kind of the quarantine it couple, when everybody first started getting locked down and they've since broken up. But this was the movie that they were that they met making. It's directed by Adrian Lin. So Lynn line however you say his name, the guy who did Fatal Attraction and Indecent Proposal. So um, it's in quotes and erotic thriller, because I didn't think anything was very erotic about it. But basically, Ben Affleck is this dude who he's he's in, they're married. They're a married couple, and they have one kid. And he lets her have her levers on the side so that she stays married to him for the sake of their kid. And of course, you know, he still is jealous. And at one point, he jokes with one of her lovers about how one of her older lovers went missing, and he jokes about how he killed him. And of course, he becomes a suspect when another one of her lover shows turns up dead. So you're like, it's just kind of twisty and turny. And it's not really a mystery, because it kind of gets laid out for you. You know, like, connect the dots kind of thing, but it's uh, it's kind of fun. It's not as I think I expect more if it's not fatal attraction, I think I expect more, I expected more. But you know, it's a cool little cool little diversion.
Jonathan Correia:I almost kind of like the there's, I feel like there's a sub genre of erotic thrillers that are not erotic at all. But they fail to be you know, and I need to put that list together of just like, like ones that are trying to be but they're, but they just can't, whether it's like the chemistry just isn't there or it's shot weird. You know, sometimes those are way more entertaining than the ones that are actually good.
James Jay Edwards:There are a couple places not not to go to go back like a half an hour. There are a couple places in the woman in the house across the street from the girl on the window, where it kind of ventures into that and you're like all Okay, is there is this supposed to be titillating? Because it's
Jonathan Correia:it's awesome. Now, I know we've been kind of holding off on talking these but there were two there were a few major releases that we want besides Morbius but like I made you know, I don't think Jacob and I are pretty enthused about that. But did you guys see Everything Everywhere All at Once? I did.
James Jay Edwards:I did not mean that the press screening was was press promo with a full feeder so I have to wait on that one.
Jonathan Correia:Well, we'll try not to spoil anything with it because hope but I will say this Holy shit. Is it an incredible film? Oh yeah. It's from the Daniels who did Swiss Army Man and the music video for turned down for what? Back in the day and My goodness, it's a it's a multiverse story. So Marvel and DC are fucked because there's no way that dr. strange in the multiverse of madness is going to be anywhere near as good as this. I'm just gonna say Sam Raimi, I love you. But yeah. Wow. And it starts Michelle Yeoh and James Hong are in it. And it's an incredible story about like, it's it's, it's an immigrant story of coming to America and starting a new life. And then this, this family is trying to pay their taxes when all of a sudden the mom is contacted by her husband and another multiverse to save the multiverses and to stop the collapse, and it is if you Okay, you guys have seen Swiss Army Man, so you know how weird and heartfelt that movie
Jacob Davidson:is. The farting corpse Daniel Radcliffe's. Exactly,
Jonathan Correia:this movie takes that same weirdness and that same lino heart and turns it to 11. And yeah, just career defining performances from everyone involved. It Yeah, it had me and me crying through it, which I haven't done in a theater in a while. So yeah, absolutely. Great movie. What do you think Jacob?
Jacob Davidson:Yeah, no, definitely made me tear up. I thought it was an amazing film, just to add just the heaviness to it, while also being so light hearted and weird as hell, and especially the kind of multiverse fighting style that they invoke it with, like the, it's kind of hard to explain, but does it uses the multiverse in pretty great ways in the fights. And also a big shout out to que hoy Quan. You know, he played data in the Goonies and short round in Indiana Jones, and I feel like this is his Renaissance is Renaissance because I saw it in IMAX. And he had he had a very big scene where he fight some bad guys, and it earned a, like a near standing ovation. Like it like, like people loved him in the movie.
Jonathan Correia:It's in the trailer. So I'm gonna say it was a fighting scene with a fanny pack. And I have to mention this because it is the most incredible looking fanny pack I've ever seen. It has so many pouches and zippers, and he wields it. Graceful gracefully in that fight scene, like, is I need I need that fanny pack in my life.
Jacob Davidson:It was a badass fanny pack. Yeah, and, but also, lest we forget, Jamie Lee Curtis,
Jonathan Correia:Jamie Lee Curtis as an amazing comedy career. She has been incredible and like A Fish Called Wanda, and Scream Queens. But she taps into and does something that she's never seen her do before. Like her performance, her timing, everything about her character is so incredible. And yeah, it's just such an imaginative movie. One of the ways they're able to tap into the multiverse is is by trick algorithms, through improbability. So how they do it is by tapping into what's the most improbable thing you could be doing, to drink the algorithm and tap into it. And it could and so like, a lot of the movie is like, Michelle, you and the others doing the weirdest fucking things. For example, one person needs to tap into a multiverse. And how they do it is they need to give themselves four paper cuts between their fingers. And so this action scene is happening while this person is trying to give them the worst paper cuts ever. And it's just, you could hear everyone in the theater just be like, Oh, stop. No, stop. No.
Jacob Davidson:Yeah, no, that happened at my theater too.
Jonathan Correia:And it's and that wasn't even the weirdest multiverse jump because I'm not gonna spoil the greatest fight scene.
Jacob Davidson:Oh my god. Yeah. Again, I want to say but I can.
Jonathan Correia:We can't. We'll say it involves an object that you see in the in the trailers. How's that? Yeah, there
Jacob Davidson:there is some foreshadowing. Yeah. But ya know, just it's such is such an amazing movie. And it's just amazing. Bed. Something, you know, so weird can be so heartfelt. I don't know. It's just there's so many layers to it.
Jonathan Correia:It's gonna be hard, because right now, that's my top film of the year, so it's gonna be hard to top
Jacob Davidson:I'd have to say I agree. Like, it's probably my favorite so far this year.
Jonathan Correia:But let's, uh, let's bring Jay back into the conversation to discuss Ty West's X because I know you've seen that but
James Jay Edwards:yeah, which that is my right now. It's the only movie I've seen this year that I think may stick around for my top 10 I love
Jonathan Correia:DAX not more BS. No. I mean, if you see less than 10 movies this year, the Morbius will still be in your top 10 I guess right.
James Jay Edwards:Put it this way. Texas Chainsaw Massacre will hit my top 10 Before Morbius because I like Texas Chainsaw Massacre. It's very forgettable. I like Morbius too, but it's more forgiving.
Jonathan Correia:Actually. we get into X, let's discuss that for a hot minute about how everyone was on fire about Texas Chainsaw a couple of weeks ago, like we're talking weeks, maybe a month at this point. And now no one is talking about it. Absolute silence like that's is that because of the film is it because of like the Netflix streaming because like, I almost want to blame the streaming because I feel like if it got a theatrical thing and there would be longer discussion about this film, but Netflix just like buries or stuff after like the first week, incredible but sad. Anyways, back to X, Ty West 10 years since his last film. And what a film to come back with like, just if you haven't seen X yet, it's about a group who are going to a farmhouse in the middle of Texas to film a porNo. And you know, shit gets shit goes wrong. It goes wrong real fast and great performances all around Brittany snow especially absolutely incredible performance out of her. I'm very, I was very taken aback and like, where she went with a lot of her acting choices. And she and she went for it with you know, a lot of the the graphic nature of the film because you know, it does cover people making porn and it does get very goopy with the, with the bloodshed. So you know, it delivered on all fronts with that X title. What do you think Jacob?
Jacob Davidson:Oh, man, I loved it. Ya know, just it was such an interesting kind of 70s throwback without relying too heavily on homage. You know, because it's because like, I watch a lot of horror trailer reels, especially for like 70 stuff, you know, like Mad Ron's Trailers From Hell. And it really did feel like a last movie from that kind of sleazy era. You know, like, I Dismember Mama or Three On a Meat Hook or you know, that that type of drive in 70s horror stuff. So, it so it was it was a it was interesting. How much of a slow build it was to because you know, it's not, you know, like, everything's hacking and slashing right off the bat.
James Jay Edwards:The first kill isn't for an hour into the movie. Yeah.
Jacob Davidson:Although, although there is that one scene that got a lot of oohs and ahhs from the audience, because it was so intense, you know, just like, oh, no, is this gonna happen?
James Jay Edwards:The one where she's swimming off the dock,
Jacob Davidson:huh? Yeah,
James Jay Edwards:that was amazing. Yeah, no,
Jacob Davidson:I just I saw it at the new I was very lucky. I saw the new Beverly with. It was like the pre screening with Ty West during the q&a. And yeah, just during that scene, it was like, oh, no, no, you know, just, I mean, because he just got somebody in a body of water with a predatory animal nearby, everybody's just going to be on the edge of their seat.
Jonathan Correia:And what a beautifully shot scene to because like, it is Mia Goth. And she, you know, takes a break from you know, everyone's, you know, in the house filming and stuff. And she just goes for a skinny dip in the pond nearby, and they do this really beautiful aerial shot, you know, and just like the pose she has in the water, almost, you know, making a Y and, and like, what, how far it is and like, and then yeah, you see, you see the creature crossing, you
James Jay Edwards:almost hear the Jaws theme as it's
Jonathan Correia:like, it was it was such a it was so beautifully, definitely, like invoked. A lot of like, what Kubrick was doing what 2001 and the sphere and the imagery of the eye in that moment. And yeah, and I did really love on how much of a slow burn that movie it was. And they did a really good job with the characters because like, yeah, that first hour is just like these, this group of, you know, independent filmmakers trying to make an adult film. And you know, so there's but like, none of the characters felt boring. You know, you there was there was history, there was story behind each and every one of them. And you could have easily fallen into the pit of like, oh, this is just like a one dimensional character. And if any one of them had been, it would have been the most boring movie ever. Because again, it does take an hour to get to those kills, but each one of them had depth to it. Scott, Miss Cuddy Kid Cudi you know, played one of the adult actors and he goes into you know, being a Marine and during Vietnam and stuff and so a lot of that is invoked and it helped motivate a lot of how they start reacting to the situation that you know, leads to the bloodshed later on. And Jenna or Ortega was also incredible. She's brought in as kind of like the the guy who's directing and shooting the film, he's his she's his girlfriend, and she's
James Jay Edwards:slash sound person
Jonathan Correia:slash sound person. Yeah. And like, first of all, she's bonafide scream queen after After scream five and this she is, you know, modern day scream queen for certain. And oh boy does she get a few good screams in there as well. But like, even like her character, like she's presented as like the, you know, they keep calling her churchmouse and how she's really quiet and stuff, but she goes through, like a whole range of like different reactions and emotions and her character arc is very, very interesting. And yeah, I really appreciate that. Like what Jacob said that this film is very invoke evocative of the 70s Grindhouse movies, but it doesn't rely on homage like you don't, it's not just sitting there going out remember this bid from this from this? Remember this bid from like three 816 maniacs in Huntsville, you know, and like, it doesn't do that. It's definitely like a deconstruction and like, a love letter to those films without it just kind of not parroting but like, oh, marching too much, because I feel like that's one of the issues that we run into, especially with all these rules and everything is that people are doing too hard, just like replicating moments, replicating plots, replicating, you know, things, but there's no heart there's no like, character thought or anything with it. And I thought that was that it's, it's a phenomenal film. I mean, like, again, it's at the end of the day. It's a movie about a group of individuals trying to make a porn film. And it ends in a massacre. And yet
James Jay Edwards:it has the best porn star name since Boogie Nights because kid Kid Cudi's name is Jackson Hole.
Jonathan Correia:Jackson Hole that's such great name.
James Jay Edwards:Now Ty West is him. He gets kind of a lot of flack in his career for being an imitator because his movie, you know, House of the Devil, The Innkeepers, even The Sacrament? are kind of like he wears his influences on his sleeve. And this one is no different. This is almost like and you can tell from the trailer. This is basically Texas Chainsaw Massacre without the chainsaw. Yeah. I mean, it's in Texas, it's a massacre. But like, you know, you got the van, you've got the young kids, you got that isolated house instead. But he makes he takes that aesthetic and makes a completely different movie. You know, it's not the only thing that's Texas Chainsaw Massacre about it is the look. The story itself is is different.
Jonathan Correia:I mean, I think there's with the cinematography there's there's a few you know, influences of Tc of the original TCM in there, they definitely don't go as like, dirty or as you know, yellow there are parts with the the the with the adult film scenes where they definitely make it look you know, 16 or eight mil, and with and then have that like color grain and stuff like that. But like TCM had a very original TCM had a very dirty, dirty look. It was very yellow and very, you know, old timey but yeah, the like, I thought that was a great analogy. It's TCM but without the chainsaws. Yeah. And they they do a really interesting thing with the with the villains of the movie too. And I trying not to get into spoiler territory with that. So I'm trying to use my words wisely with it, but they definitely give you like a bit of a bait and switch with it. But at the end of the day, no matter what the trailer presented, or what these characters look like, in the beginning, they're evil sons of bitches, and it's fucking fantastic. And it's hard to pull off too sometimes when you have characters that don't look threatening that don't seem like they could be and having this old couple be that I thought was very well done without being insulting. You know, it's kind of like, one of the things that really kind of irked me with the original Wrong Turn series was the thing where it's just like, Oh, they're evil, because they're inbreds look out the form they are and stuff whereas with, they didn't really get into that. It's just like, Oh, here's some like really rough looking old folks. And but they're still able to do be menacing without like, tapping into anything supernatural or anything like that, which I thought was very well done. Yeah. So go see X. Go see Everything Everywhere, All at Once. Back to back. Oh, I don't know about that. I did that yesterday. And that was that was a very emotional day. Or but yeah, the the audience reaction to X was phenomenal. There was people cheering there was people you know, and I just saw that an AMC but there was, yeah, there was a few moments of just like, you hear Oh, shit.
James Jay Edwards:It's weird to call movies like that fun, because it's just a lot of carnage and bloodshed and stuff. But X is really a fun movie, actually. I mean, it's like, it's just, you know, it just delivers on its premise. That's the best way to put it. It's you know, It's the movie you want it to be, and you have no regrets about it.
Jonathan Correia:And I think one of the reasons why it delivers is because it fits within that formula that we've seen so many times with slashers but as you said it does it right like these aren't one dimensional characters you actually like care about them. They react you know, there's no there's no real like, Oh, why are you going upstairs? That's stupid. Whoa, you know? Like there's no there's no moments where people do stuff just to have something dramatic happen you know, it doesn't Walking Dead you at all. You know, you don't feel like the characters are stupid. There's just like a lot of situations where you could be like, alright, I can see why their guard was down in that moment. You know, the first kill especially was just like a very like, What the fuck is going on? But you understand why why like that character let their guard down. Because why would you react to that situation? It's weird. Shout out to the guy who in my X theater who was on his phone the whole fucking time though. I was not surprised to notice that you had a Joaquin Phoenix Joker background on your phone. But thank you, but thank you for putting it away when I had to get up and tell you to put your fucking phone away. Thank you for keeping in your pocket the rest of the movie? Why would you do that? Well, tell me people why would you go to a movie theater and be on your it wasn't like he just got a text and looked at it. Like I saw him like scrolling multiple apps and shit. Like
James Jay Edwards:he's playing Sudoku while he's watching X. He
Jonathan Correia:was on Tinder. He was messaging people. He was going through photos. He was on Instagram like Jesus fucking Christ. Like why would you? Why would you pay nearly $20 to go see a fucking movie and be on your Alright, um, that sec.
James Jay Edwards:I could see it if it's a boring movie. If you're you know, if you're sitting through something that's that I mean, x.
Jacob Davidson:Still it's a big it's a dick move.
James Jay Edwards:Yeah, now yeah, go out in the lobby,
Jonathan Correia:go to the walkway, go to the walkway. If it's really that important, you know, I got I worked production I've had to do that where people are messaging me because shits on fire and, you know, I go to the walkway, where no one can see me, you know, respond to the tax. And then I go back to my seat, like, just put your phone away. Anyways, go see X. Don't be on your fucking phone. Go see Everything Everywhere All at Once. Don't be on your fucking phone.
James Jay Edwards:It's funny, because we had, we had a topic setup that was going to revolve around x. But I think we kind of covered it, we were going to talk basically about about the retro aesthetic of some of these movies. And we don't want to spoil X. In fact, I think we're going to do a minisode that does spoil it because we don't want to spoil it for anybody. But, um, just just real quick, what are some other movies like that, that rely on like a retro aesthetic that you guys can think of?
Jonathan Correia:But without like being too referential? Yeah, like, like,
James Jay Edwards:an example I think is the new Scream is pretty nice. from a visual perspective, but then of course, you know, you've got your you have your updated technology kind of thing, you know?
Jonathan Correia:Yeah. Well, immediately Death Proof. I feel was was one that Wore it's influences on its sleeve of like, you know, 70s Grindhouse and whatnot and but didn't get too referential, you know, like it felt like it was a movie of that time but with a modern filmmaking, techniques and spins and stuff. Plus, I mean, Kurt Russell as Stuntman Mike, you know, that was a career defining performance and just absolutely incredible around I think The Conjuring
James Jay Edwards:movies kind of have done that with they they almost feel like they want to be the Amityville Horror with that whole you know, 70s Haunted House thing which tie West also does that in The Innkeepers as well so it kind of it it kind of I mean, like I said, Ty West does it better than anybody but it looks like James Wan is pretty good too.
Jacob Davidson:The first one that comes to mind for me would probably be Dude Bro Party Massacre 3
Jonathan Correia:chance any chance he gets to bring up
Jacob Davidson:look i Exactly yeah, that is my character. I will do whatever it takes to reference Dude Bro Party Massacre 3 with any given opportunity.
Jonathan Correia:It's not a character fault if that if that's what if that's what you put on the fly. I love it. I still haven't seen it though.
Jacob Davidson:Yeah, but still those that the movie is shot like VHS or like it was transferred on a VHS to to give him that quality and it does really feel like kind of the direct to video late 80s early 90s kind of style of the many directive videos slasher movies. So it does. It does a good job of capturing that kind of Lo Fi aesthetic. And also, yeah, and I am a sucker for kind of like, you know, VHS filtered type of movies.
Jonathan Correia:And I would always say Turbo Kid. Oh yeah, very much because there's there's definitely been in the last like 20 years that like retro nostalgia, you know, where it becomes too referential at times, you know, but there was a period where there was a slew of movies that they just like nailed it right on the head, like, of just having the aesthetic without being too like we mentioned Ghostbusters. Isn't this great? Ha, we mentioned this because it's of this time if they didn't Abrams it, I always poke fun at JJ Abrams Star Trek for being Star Trek movies, it name but really their Star Wars movies that just have a lot of Star Trek references in it, you know. And I think turbo kid is another one that like just nails that nostalgia without, you know, being super referential and wears his heart on its sleeve. And, man, just what what genuinely fun movie.
James Jay Edwards:The the first part of It does that too. It almost feels like stand by me. And then purposely the second part when they're adults, you know, updates it, but the first part of it felt like that to me.
Jonathan Correia:And then of course, you have series like Danger 5, where? Yes, well, yes, because there's the there's the side of it where it is referential, but it's, you know, nostalgic, but they take it to 11 with the goofiness so you have like Danger 5 or Kung Fury, you know, where it's just like so over the top with it. But so much fun. Gotta need to rewatch danger fun.
Jacob Davidson:So, one that came to mind was the void. Because it's set in a vague time period that it does feel like it's like some kind of 80s or 90s Creature Feature with a lot of practical effects. And yeah, just it does feel like something I would have watched on the Sci Fi Channel back in the 90s.
Jonathan Correia:Oh, it's very evocative of Stuart Gordon's work in the 80s. Oh, definitely. Yeah.
James Jay Edwards:All right. I think is this as much as we could talk about X without spoiling it?
Jonathan Correia:Yeah, I think we're gonna have to Minisode dude, because like, I There's so much I need to talk about with that movie. I think we're gonna need another 15 separate.
James Jay Edwards:Let's, let's get out of here and move on to that. Um, before we go, though, let's we should have mentioned this earlier, but we're gonna mention right now. Bruce Willis retiring from acting. So let's just go What are your favorite Bruce Willis roles? I'm gonna say the sixth sense. And basically the Shamel on one's Sixth Sense, Unbreakable. And Glass.
Jacob Davidson:Two that come to mind for me that actually rewatched after hearing the news, Death Becomes Her and The Fifth Element like Death Decomes Her is one of my favorite comedic roles by Willis and The Fifth Element is one of my favorite action roles with them. And yeah, no just you know, just shows you know just what a wide range he had especially in the 90s
Jonathan Correia:Oh yeah. Bruce Willis man like that. That's that's such rough news. Favorite Bruce Willie rolls. I mean, obviously, you know the Diehard trilogy all around so much fun. And I say trilogy? Because I did watch four and five recently. No, no, thank you. But the trilogy, especially Die Hard With a Vengeance is still my favorite. But also, I have to Looper just like what what a great roll with him. It was very reflective. Also Sin City. Like what? What if, like, both those movies felt like they were kind of critiquing. But also kind of like the next evolution of that Bruce Willis action role, you know, where it was like, Yeah, I'm doing the most extreme version of that but adding another layer to it. So with like Sin City, it was very much so like, getting into like the comic book the nature of it. Whereas like, Looper brought in, like an emotional level that was not really seen in a lot of his action performances. And then of course, yeah, I got to I got to double down on Death Becomes Her because the comedy chops on him in that movie are phenomenal. And he was comedic actor first, you know,
James Jay Edwards:with Moonlighting. Yeah. And we can't forget to mention Pulp Fiction, because one of my favorite moments in Pulp Fiction, my second favorite, my first favorite is Quentin Tarantino and his I don't need you tell me how good the coffee is. Okay. I know how good my coffee is. But my second favorite moment, is when he's got the samurai sword. And he's like, you want that gun? Don't you go for Yeah, go for that boy. As Butch Yep, he did. It's funny cuz he's gotten kind of a lot of flack for he did like eight movies last year, and there's another seven of them on board for this year. He had his own Razzies category there our worst Bruce Willis movie of 2020. And this is before anybody knew he's retiring because he I forget the name of it, but Some, some disorder where you can't emote, you basically can't, he won't be able to act anymore is basically the the thing. And we've known that he's been kind of there have been rumors, you know, questionable, you know about how he's someone's got to feed him lines through an earpiece, or he has to have the script, you know, tape to someone in front of him kind of a thing. But he got a lot of flack for doing so many movies in such a short time. And I guess these movies are, like, really bad. They're, like, just thrown together. It's like they had to live for a month. And yeah, and but then they like just shot as much footage as they could in the end. They're editing them together into cohesive movies. But apparently, he was setting himself up for retirement. He was just banking, bank and movies and money, which I mean, hey, you gotta live, you know.
Jonathan Correia:But again, you know, he's had such an amazing career. I mean, we only scratched the surface on how many great movies he's been in, in great performance he's given. aphasia is is what, that's what it's called. Yeah. And, and, you know, it's, it's rough seeing your, you know, because, I mean, he was action hero for all of us growing up, and, you know, it's hard to see them go there. But I'm glad he's, I'm happy that he's taking the opportunity to step back and like, you know, work on his health and all that, you know, put put the focus where it's needed. And, you know, we'll miss him. And like, I think this is also a great opportunity to say, Fuck the Razzies and that it's a mean spirited or thing that really doesn't need to exist anymore. I don't think it needed to exist in the beginning, but they're already starting to like they're resending that category. And they're also rescinding Shelley Duvall is nomination for The Shining back in 80'.
James Jay Edwards:I mean, I get where the rats are coming. They came from kind of a spot of humor. And, and I kind of get, you know, I mean, they're razzing you. But you're right, it has gotten very mean spirited, especially when they're nominating movies that aren't even bad anymore. It's just they just want to hop on a bandwagon. And I don't even like when people have, you know, 10 Worst lists, you know, they have bottom 10 list the I mean, I won't even do that. I mean, because as far as I'm concerned, that you know, and, hey, you're talking about the guy who likes Morbius as far as you know, I legitimately like Cats. Any movie that can get made, I think is worth celebrating, so I can find something about pretty much anything I like. So yeah, the Razzies for me are always just kind of a waste of time. But I can see when they started, I think they came from more of like a humor, kind of a thing where you're going to make fun of you know,
Jonathan Correia:but it also it takes away from like the hard work that the cast and crew and everyone behind because making making something is it's so hard. It's so hard. It's it takes and I get it, there's definitely those caches and there's stuff to razz on like, How the fuck did Transformers Revenge of the Fallen get made? You know, with the stupid testicle joke? You know what I mean?
James Jay Edwards:Like I even Michael Bay's saying he should have stopped at three transformers.
Jonathan Correia:So, like, I get ragging on stuff like that, but like, one of the things that like stood out to me was all the interviews that's happening with Nick Cage right now with his upcoming movie. And he, you know, was asked about, like, all those straight to video movies he did. And he basically was like, ya know, I had to pay off by taxes. You know, I had a lot of debt. So I took on a lot of roles, but I never phoned it in, and I respect the fuck out of that. And that's the thing too, especially with these, with these type of like punching down awards and lists is that, you know, people genuinely believe in it. And these things like you watch, you know, Best Worst Movie Ever. We're all about the making of Troll 2 everyone in that on that believed in this movie, and they put their heart and soul into it. Did it create a well made movie? No, we're not gonna argue that but you know what you you see the heart you see, you know, it wear it on sleeve. And that's why that film resonates with so many people.
James Jay Edwards:But it's better to have the best worst movie than a movie people have forgotten about. And Troll will live
Jonathan Correia:Troll 2
James Jay Edwards:Troll 2 Yeah, well troll as well. But yeah, Troll 2, will live on forever. Because it can because people think it's the worst movie ever made, which you know that notoriety? Yeah. All right. Let's get out of here. So yeah, hope you found something in this episode to work all over the place. But hey, no big. You still have time to vote for the Razzies or the Razzies.
Jacob Davidson:The Rondos?
James Jay Edwards:Wouldn't that have been great if we got nominee as he? You still have time to vote for the Rondo's? So, yeah, hit that up. Just, you know, just so we don't get embarrassed because, you know, I have no illusion that we're going to win but at least you know, we can make up a decent showing with the big Bois our theme song is by Restless Spirits who also got signed to an even bigger label. Those dudes are taken off. So
Jonathan Correia:congratulations well burned and I'm so excited to see where that band goes because they that last album was fucking metal as shit, I
James Jay Edwards:come into a town near you, I'm sure. They pretty much kind of hang out in the on the the, the New England you know, that whole eastern seaboard, but if they if they get out to the West Coast, you'll at least have three people at your shows. So yeah, check out Restless Spirits. Our artwork is by Chris Fisher. So check him out. And you can find us at any of the Eye On Horror socials or at iHorror.com, which you should check out anyway, because there's all sorts of cool stuff there. And we will see you next time, actually, sooner the next time because I think we're probably gonna have a minisode about X coming up soon. But anyway, we will see you soon. So for me, James Jay Edwards.
Jacob Davidson:I'm Jacob Davison and I'm Jonathan Correia.
James Jay Edwards:Keep your Eye On Horror.
Podcasts we love
Check out these other fine podcasts recommended by us, not an algorithm.
Murmurs From the Morgue
Murmurs From the Morgue